De la « Défense sacrée » (1980-1988) à la « Défense des Lieux saints » (2012-2017)

Building on a large number of movies and images, this article analyses how war imaginaries were constituted over the course of two armed conflicts in which the Islamic Republic of Iran was involved: the war against Iraq (1980-1988) – the first filmed war – and the against the Islamic State in Iraq a...

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Main Author: Agnès Devictor
Format: Article
Language:English
Published: Université de Provence 2019-09-01
Series:Revue des Mondes Musulmans et de la Méditerranée
Subjects:
Online Access:https://journals.openedition.org/remmm/12830
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author Agnès Devictor
author_facet Agnès Devictor
author_sort Agnès Devictor
collection DOAJ
description Building on a large number of movies and images, this article analyses how war imaginaries were constituted over the course of two armed conflicts in which the Islamic Republic of Iran was involved: the war against Iraq (1980-1988) – the first filmed war – and the against the Islamic State in Iraq and Syria in 2012-2017. It questions how directors have staged the great story of the Battle of Karbalâ to define the war and support the national mobilization between 1980 and 1988, and drew upon a Shii imaginary both narratively and formally, while other directors used references detached from any religious link. The paper then focuses on how the war against IS generated new uses of the “Karbala paradigm”, as well as innovating image theories.
format Article
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institution Kabale University
issn 0997-1327
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language English
publishDate 2019-09-01
publisher Université de Provence
record_format Article
series Revue des Mondes Musulmans et de la Méditerranée
spelling doaj-art-8982b46636ee4953b4b316bc8f9654432025-01-09T13:23:49ZengUniversité de ProvenceRevue des Mondes Musulmans et de la Méditerranée0997-13272105-22712019-09-0114511514410.4000/remmm.12830De la « Défense sacrée » (1980-1988) à la « Défense des Lieux saints » (2012-2017)Agnès DevictorBuilding on a large number of movies and images, this article analyses how war imaginaries were constituted over the course of two armed conflicts in which the Islamic Republic of Iran was involved: the war against Iraq (1980-1988) – the first filmed war – and the against the Islamic State in Iraq and Syria in 2012-2017. It questions how directors have staged the great story of the Battle of Karbalâ to define the war and support the national mobilization between 1980 and 1988, and drew upon a Shii imaginary both narratively and formally, while other directors used references detached from any religious link. The paper then focuses on how the war against IS generated new uses of the “Karbala paradigm”, as well as innovating image theories.https://journals.openedition.org/remmm/12830ShiismKarbalaWar cinemaVisual cultureISISIranian Revolutionary Guards Corps (IRGC)
spellingShingle Agnès Devictor
De la « Défense sacrée » (1980-1988) à la « Défense des Lieux saints » (2012-2017)
Revue des Mondes Musulmans et de la Méditerranée
Shiism
Karbala
War cinema
Visual culture
ISIS
Iranian Revolutionary Guards Corps (IRGC)
title De la « Défense sacrée » (1980-1988) à la « Défense des Lieux saints » (2012-2017)
title_full De la « Défense sacrée » (1980-1988) à la « Défense des Lieux saints » (2012-2017)
title_fullStr De la « Défense sacrée » (1980-1988) à la « Défense des Lieux saints » (2012-2017)
title_full_unstemmed De la « Défense sacrée » (1980-1988) à la « Défense des Lieux saints » (2012-2017)
title_short De la « Défense sacrée » (1980-1988) à la « Défense des Lieux saints » (2012-2017)
title_sort de la defense sacree 1980 1988 a la defense des lieux saints 2012 2017
topic Shiism
Karbala
War cinema
Visual culture
ISIS
Iranian Revolutionary Guards Corps (IRGC)
url https://journals.openedition.org/remmm/12830
work_keys_str_mv AT agnesdevictor deladefensesacree19801988aladefensedeslieuxsaints20122017