Mettre en scène les codes du genre : artifice et théâtralité dans la comédie musicale hollywoodienne classique
Through a close reading of Busby Berkeley’s Take Me Out To The Ball Game (MGM, 1949) and Vincente Minnelli’s Meet Me in St. Louis (MGM, 1944), this paper analyzes the relationship between stylistic choices and discursive strategies in 1940s Hollywood musicals. Based on highly artificial dramatic and...
Saved in:
Main Author: | Anne Martina |
---|---|
Format: | Article |
Language: | English |
Published: |
Centre de Recherche "Texte et Critique de Texte"
2009-12-01
|
Series: | Sillages Critiques |
Subjects: | |
Online Access: | https://journals.openedition.org/sillagescritiques/2029 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Amateurs de comédie musicale hollywoodienne sur Internet : renouvellement d’un genre classique par les pratiques spectatorielles de l’ère numérique
by: Fanny Beure
Published: (2012-04-01) -
Christian Iconography Adorning Corinthian Capitals in Syria
by: Ahmad Dawa
Published: (2024-12-01) -
Conversing with Readers in Aunt Judy’s Magazine: Building a Community of Young Middle-Class Philanthropists to Fight the ‘Grim Nurses’
by: Matthew Dunleavy
Published: (2020-12-01) -
Shepherd on Meaning, Reference, and Perception
by: David Landy
Published: (2022-10-01) -
Resemblance, Representation and Scepticism: The Metaphysical Role of Berkeley’s Likeness Principle
by: David Bartha
Published: (2022-01-01)