Manhattan Woody'ego Allena. Poetyka Introdukcji

Woody Allen’s Manhattan. Poetics of the Introduction Marek Hendrykowski’s innovative study on the four-minute opening sequence to Manhattan analyses one of the most beautiful introductions in the history of world cinema. Its subtle simultaneous construction based on European and American tradition...

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Main Author: Marek Hendrykowski
Format: Article
Language:English
Published: Adam Mickiewicz University Press 2013-01-01
Series:Images
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Online Access:https://pressto.amu.edu.pl/index.php/i/article/view/3574
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author Marek Hendrykowski
author_facet Marek Hendrykowski
author_sort Marek Hendrykowski
collection DOAJ
description Woody Allen’s Manhattan. Poetics of the Introduction Marek Hendrykowski’s innovative study on the four-minute opening sequence to Manhattan analyses one of the most beautiful introductions in the history of world cinema. Its subtle simultaneous construction based on European and American traditions and key canonical texts of 20th-century art: Walther Ruttmann’s Berlin: Symphony of the City, John Dos Passos’s Manhattan Transfer and George Gershwin’s Blue Rapsody. A semiotic apparatus has been included, along with deep explanatory commentaries and close-readings that identify step-by-step the details of its content, contradictory fiction-nonfiction relationships, and the roles of visual image, word and music, narrative, personal point of view, and stream of consciousness technique in the film. The suggestive film overture to Manhattan composed by Woody Allen represents continuities as well as disruptions, sustained between avant-garde artistic tradition and film art of the 1970s.
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spelling doaj-art-890035513d1a46baadf059367df301752025-08-20T03:09:30ZengAdam Mickiewicz University PressImages1731-450X2720-040X2013-01-01122110.14746/i.2013.21.02Manhattan Woody'ego Allena. Poetyka IntrodukcjiMarek Hendrykowski0Katedra Filmu, Telewizji i Nowych Mediów UAM Woody Allen’s Manhattan. Poetics of the Introduction Marek Hendrykowski’s innovative study on the four-minute opening sequence to Manhattan analyses one of the most beautiful introductions in the history of world cinema. Its subtle simultaneous construction based on European and American traditions and key canonical texts of 20th-century art: Walther Ruttmann’s Berlin: Symphony of the City, John Dos Passos’s Manhattan Transfer and George Gershwin’s Blue Rapsody. A semiotic apparatus has been included, along with deep explanatory commentaries and close-readings that identify step-by-step the details of its content, contradictory fiction-nonfiction relationships, and the roles of visual image, word and music, narrative, personal point of view, and stream of consciousness technique in the film. The suggestive film overture to Manhattan composed by Woody Allen represents continuities as well as disruptions, sustained between avant-garde artistic tradition and film art of the 1970s. https://pressto.amu.edu.pl/index.php/i/article/view/3574opening sequenceWoody AllenGeorge GershwinJohn Dos PassosGordon Willisintroduction
spellingShingle Marek Hendrykowski
Manhattan Woody'ego Allena. Poetyka Introdukcji
Images
opening sequence
Woody Allen
George Gershwin
John Dos Passos
Gordon Willis
introduction
title Manhattan Woody'ego Allena. Poetyka Introdukcji
title_full Manhattan Woody'ego Allena. Poetyka Introdukcji
title_fullStr Manhattan Woody'ego Allena. Poetyka Introdukcji
title_full_unstemmed Manhattan Woody'ego Allena. Poetyka Introdukcji
title_short Manhattan Woody'ego Allena. Poetyka Introdukcji
title_sort manhattan woody ego allena poetyka introdukcji
topic opening sequence
Woody Allen
George Gershwin
John Dos Passos
Gordon Willis
introduction
url https://pressto.amu.edu.pl/index.php/i/article/view/3574
work_keys_str_mv AT marekhendrykowski manhattanwoodyegoallenapoetykaintrodukcji