Un cinéma palestinien « en mal d’archive »
Through the analysis of three Palestinian films created in the 2000-2010 period, this article considers filmmakers’ insertion of archival images in their montages: what strategies do they employ and for what purpose? What do archival images add to filmed testimony? How does the use of these images e...
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| Format: | Article |
| Language: | fra |
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Laboratoire d'Ethnologie et de Sociologie Comparative
2012-05-01
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| Series: | Ateliers d'Anthropologie |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ateliers/9053 |
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| _version_ | 1832578648079597568 |
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| author | Laure Fourest |
| author_facet | Laure Fourest |
| author_sort | Laure Fourest |
| collection | DOAJ |
| description | Through the analysis of three Palestinian films created in the 2000-2010 period, this article considers filmmakers’ insertion of archival images in their montages: what strategies do they employ and for what purpose? What do archival images add to filmed testimony? How does the use of these images enable participation in the historiographical debate underlying and partly determining the Israel-Palestine conflict? In the Palestinian context, where no official archive institution exists, archives entail particularly salient issues, making their lack truly sore. This generates a multiplicity of cinematographic strategies aiming to challenge this discomfort zone, where the manipulation of the emotional and sensorial qualities of archives can be a means of proving something. |
| format | Article |
| id | doaj-art-886b9d3089624181979e0006d8ceacb0 |
| institution | Kabale University |
| issn | 2117-3869 |
| language | fra |
| publishDate | 2012-05-01 |
| publisher | Laboratoire d'Ethnologie et de Sociologie Comparative |
| record_format | Article |
| series | Ateliers d'Anthropologie |
| spelling | doaj-art-886b9d3089624181979e0006d8ceacb02025-01-30T13:41:50ZfraLaboratoire d'Ethnologie et de Sociologie ComparativeAteliers d'Anthropologie2117-38692012-05-013610.4000/ateliers.9053Un cinéma palestinien « en mal d’archive »Laure FourestThrough the analysis of three Palestinian films created in the 2000-2010 period, this article considers filmmakers’ insertion of archival images in their montages: what strategies do they employ and for what purpose? What do archival images add to filmed testimony? How does the use of these images enable participation in the historiographical debate underlying and partly determining the Israel-Palestine conflict? In the Palestinian context, where no official archive institution exists, archives entail particularly salient issues, making their lack truly sore. This generates a multiplicity of cinematographic strategies aiming to challenge this discomfort zone, where the manipulation of the emotional and sensorial qualities of archives can be a means of proving something.https://journals.openedition.org/ateliers/9053historiographyarchival imagescinemadocumentaryfilmed testimonyrealism |
| spellingShingle | Laure Fourest Un cinéma palestinien « en mal d’archive » Ateliers d'Anthropologie historiography archival images cinema documentary filmed testimony realism |
| title | Un cinéma palestinien « en mal d’archive » |
| title_full | Un cinéma palestinien « en mal d’archive » |
| title_fullStr | Un cinéma palestinien « en mal d’archive » |
| title_full_unstemmed | Un cinéma palestinien « en mal d’archive » |
| title_short | Un cinéma palestinien « en mal d’archive » |
| title_sort | un cinema palestinien en mal d archive |
| topic | historiography archival images cinema documentary filmed testimony realism |
| url | https://journals.openedition.org/ateliers/9053 |
| work_keys_str_mv | AT laurefourest uncinemapalestinienenmaldarchive |