Modalități de reprezentare a femininului la Mariana Bojan / Way of representing the feminine at Mariana Bojan
Affiliated at the Equinox magazine poetic group, Mariana Bojan debuted in 1976 with Elegy for the last grove, a book that allowed us to identify, with enough precision, some of the poet's obvious qualities and first of all the taste for a diminutive world, outlined with conquering grace in the...
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"1 Decembrie 1918" University of Alba Iulia
2016-10-01
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| author | Ioana Maria Pașca |
| author_facet | Ioana Maria Pașca |
| author_sort | Ioana Maria Pașca |
| collection | DOAJ |
| description | Affiliated at the Equinox magazine poetic group, Mariana Bojan debuted in 1976 with Elegy for the last grove, a book that allowed us to identify, with enough precision, some of the poet's obvious qualities and first of all the taste for a diminutive world, outlined with conquering grace in the perimeter of reality, as an accumulation of vital intensity of energy flow, without it receiving an opposite ontological status. ”Mariana Bojan's writings bring a particular note of feminine suavity, the freshness of a universe of fragility and transparency delineated in gentle steaming watercolor; naive `poetry`, exploiting the space generally considered `minor`, a world of candid wonder and of childish play, later rebuilt with an accomplice sensitivity. The poet writes a lyric of early insights, the objects and beings contained by it (dandelions, white lambs, mannequins, crickets and parrots, carnivore flowers, cats grotesque or suave silhouettes, lyrical characters became privileged interlocutors, just as Marta) announcing the bliss where the natural and the created object sit together (our emphasis). The poetic state is of innocence, with childhood and fairytale tones, the inclination to crafts and plastic sophistication can be easily deducted”. The first canvases depict the war of elements, the material flow ridden by storms, avalanches, threatened with apocalypse. In the second phase, the alluvial space is organized, it freezes in a style, in the custom shapes of certain cultural phases. In the third stage, the cultural forms of identity are again shattered by the maelstrom of the eternal adventure of matter and energy. The faeries composed by Mariana Bojan, the joining of natural and artisanal objects, of the human and subhuman, of the abstract sense and the physiological debris, do not give the impression of a static, amorphous bric-a-brac, but, as Deleuze and Guattari used to say in the quoted chapter, of a process in which through geometric projections they generate simple figures from a multidimensional universe. Mariana Bojan's volume of prose, entitled Povestiri bologheze (2007), contains 22 stories that fall in line the coherent both literary and plastic imaginary, through which she became famous. “The latent lyricism, well tempered with irony and self-irony, and a special skill to give birth/ record small stories with profound meanings, are the elements of the author's style. Now and then, in the realistic narrative, the fabulous outbursts.”. The latter is based on the subjective interpretations of reality, thus becoming a reality parallel to the narrative ego. The epic consciousness (and the reader's), allows itself to be involved in a game of the world that it accepts almost unconditionally, in its status of hypothesis of the real. It is not a crisis of reality, but rather of identity: the beings and objects drawn from contexts and without lineage and genealogy are like free valences that can be satisfied by any role, mask or effect. |
| format | Article |
| id | doaj-art-882c8ee7c0464ab38eddc909d3d15549 |
| institution | OA Journals |
| issn | 2501-2169 2601-5137 |
| language | English |
| publishDate | 2016-10-01 |
| publisher | "1 Decembrie 1918" University of Alba Iulia |
| record_format | Article |
| series | Incursiuni în imaginar |
| spelling | doaj-art-882c8ee7c0464ab38eddc909d3d155492025-08-20T02:03:15Zeng"1 Decembrie 1918" University of Alba IuliaIncursiuni în imaginar2501-21692601-51372016-10-017119322410.29302/InImag.2016.7.11Modalități de reprezentare a femininului la Mariana Bojan / Way of representing the feminine at Mariana Bojan Ioana Maria Pașca0"1 Decembrie 1918" University of Alba Iulia Affiliated at the Equinox magazine poetic group, Mariana Bojan debuted in 1976 with Elegy for the last grove, a book that allowed us to identify, with enough precision, some of the poet's obvious qualities and first of all the taste for a diminutive world, outlined with conquering grace in the perimeter of reality, as an accumulation of vital intensity of energy flow, without it receiving an opposite ontological status. ”Mariana Bojan's writings bring a particular note of feminine suavity, the freshness of a universe of fragility and transparency delineated in gentle steaming watercolor; naive `poetry`, exploiting the space generally considered `minor`, a world of candid wonder and of childish play, later rebuilt with an accomplice sensitivity. The poet writes a lyric of early insights, the objects and beings contained by it (dandelions, white lambs, mannequins, crickets and parrots, carnivore flowers, cats grotesque or suave silhouettes, lyrical characters became privileged interlocutors, just as Marta) announcing the bliss where the natural and the created object sit together (our emphasis). The poetic state is of innocence, with childhood and fairytale tones, the inclination to crafts and plastic sophistication can be easily deducted”. The first canvases depict the war of elements, the material flow ridden by storms, avalanches, threatened with apocalypse. In the second phase, the alluvial space is organized, it freezes in a style, in the custom shapes of certain cultural phases. In the third stage, the cultural forms of identity are again shattered by the maelstrom of the eternal adventure of matter and energy. The faeries composed by Mariana Bojan, the joining of natural and artisanal objects, of the human and subhuman, of the abstract sense and the physiological debris, do not give the impression of a static, amorphous bric-a-brac, but, as Deleuze and Guattari used to say in the quoted chapter, of a process in which through geometric projections they generate simple figures from a multidimensional universe. Mariana Bojan's volume of prose, entitled Povestiri bologheze (2007), contains 22 stories that fall in line the coherent both literary and plastic imaginary, through which she became famous. “The latent lyricism, well tempered with irony and self-irony, and a special skill to give birth/ record small stories with profound meanings, are the elements of the author's style. Now and then, in the realistic narrative, the fabulous outbursts.”. The latter is based on the subjective interpretations of reality, thus becoming a reality parallel to the narrative ego. The epic consciousness (and the reader's), allows itself to be involved in a game of the world that it accepts almost unconditionally, in its status of hypothesis of the real. It is not a crisis of reality, but rather of identity: the beings and objects drawn from contexts and without lineage and genealogy are like free valences that can be satisfied by any role, mask or effect.http://inimag.uab.ro/upload/12_199_8_42_(7)11-pasca.pdfhuman and subhumanfeminityinnocenseinterpretation of reality |
| spellingShingle | Ioana Maria Pașca Modalități de reprezentare a femininului la Mariana Bojan / Way of representing the feminine at Mariana Bojan Incursiuni în imaginar human and subhuman feminity innocense interpretation of reality |
| title | Modalități de reprezentare a femininului la Mariana Bojan / Way of representing the feminine at Mariana Bojan |
| title_full | Modalități de reprezentare a femininului la Mariana Bojan / Way of representing the feminine at Mariana Bojan |
| title_fullStr | Modalități de reprezentare a femininului la Mariana Bojan / Way of representing the feminine at Mariana Bojan |
| title_full_unstemmed | Modalități de reprezentare a femininului la Mariana Bojan / Way of representing the feminine at Mariana Bojan |
| title_short | Modalități de reprezentare a femininului la Mariana Bojan / Way of representing the feminine at Mariana Bojan |
| title_sort | modalitati de reprezentare a femininului la mariana bojan way of representing the feminine at mariana bojan |
| topic | human and subhuman feminity innocense interpretation of reality |
| url | http://inimag.uab.ro/upload/12_199_8_42_(7)11-pasca.pdf |
| work_keys_str_mv | AT ioanamariapasca modalitatidereprezentareafemininuluilamarianabojanwayofrepresentingthefeminineatmarianabojan |