Petite phénoménologie de la photo people
The singularity of celebrity news is inseparable from photography. Photos constitute the vector through which information passes and the source of journalistic narratives. Paparazzi pictures are often regarded as blatant visual « bad taste », recycling in a derogatory fashion photography’s basic rol...
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| Format: | Article |
| Language: | fra |
| Published: |
Université Laval
2009-07-01
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| Series: | Communication |
| Subjects: | |
| Online Access: | https://journals.openedition.org/communication/1314 |
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| _version_ | 1850259278123761664 |
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| author | Philippe Marion |
| author_facet | Philippe Marion |
| author_sort | Philippe Marion |
| collection | DOAJ |
| description | The singularity of celebrity news is inseparable from photography. Photos constitute the vector through which information passes and the source of journalistic narratives. Paparazzi pictures are often regarded as blatant visual « bad taste », recycling in a derogatory fashion photography’s basic role as a documentary medium. The author questions the manner in which readers have access to what can be regarded as nothing less than stolen, or conceded, moments in the private lives of celebrities. By glorifying their gilded world and highlighting their weaknesses, this iconography acts through a complex system of « coming together » or proximity. |
| format | Article |
| id | doaj-art-882949a80da245ae802531b8bee5f86f |
| institution | OA Journals |
| issn | 1189-3788 1920-7344 |
| language | fra |
| publishDate | 2009-07-01 |
| publisher | Université Laval |
| record_format | Article |
| series | Communication |
| spelling | doaj-art-882949a80da245ae802531b8bee5f86f2025-08-20T01:55:53ZfraUniversité LavalCommunication1189-37881920-73442009-07-0127116017810.4000/communication.1314Petite phénoménologie de la photo peoplePhilippe MarionThe singularity of celebrity news is inseparable from photography. Photos constitute the vector through which information passes and the source of journalistic narratives. Paparazzi pictures are often regarded as blatant visual « bad taste », recycling in a derogatory fashion photography’s basic role as a documentary medium. The author questions the manner in which readers have access to what can be regarded as nothing less than stolen, or conceded, moments in the private lives of celebrities. By glorifying their gilded world and highlighting their weaknesses, this iconography acts through a complex system of « coming together » or proximity.https://journals.openedition.org/communication/1314iconographynarrativecelebritypeople magazinesphotographypaparazzi |
| spellingShingle | Philippe Marion Petite phénoménologie de la photo people Communication iconography narrative celebrity people magazines photography paparazzi |
| title | Petite phénoménologie de la photo people |
| title_full | Petite phénoménologie de la photo people |
| title_fullStr | Petite phénoménologie de la photo people |
| title_full_unstemmed | Petite phénoménologie de la photo people |
| title_short | Petite phénoménologie de la photo people |
| title_sort | petite phenomenologie de la photo people |
| topic | iconography narrative celebrity people magazines photography paparazzi |
| url | https://journals.openedition.org/communication/1314 |
| work_keys_str_mv | AT philippemarion petitephenomenologiedelaphotopeople |