Vérité et récit dans Le Mépris de Jean-Luc Godard
This paper tackles the relationship in Godard’s movie Contempt (Le Mépris, 1963) between the many modes of narration and the issue of truth. In particular, an analysis is given of Godard’s statement: “Contempt is a simple movie, with no mystery”, an “Aristotelian movie, all seeming removed.” The iss...
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| Format: | Article |
| Language: | fra |
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Laboratoire Interdisciplinaire Récits Cultures Et Sociétés
2017-12-01
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| Series: | Cahiers de Narratologie |
| Subjects: | |
| Online Access: | https://journals.openedition.org/narratologie/7811 |
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| Summary: | This paper tackles the relationship in Godard’s movie Contempt (Le Mépris, 1963) between the many modes of narration and the issue of truth. In particular, an analysis is given of Godard’s statement: “Contempt is a simple movie, with no mystery”, an “Aristotelian movie, all seeming removed.” The issues of simplicity and seeming are analysed in order to show the meaning and nature of truth in Contempt, and also how the film can be understood using Deleuzian concepts of these issues. |
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| ISSN: | 0993-8516 1765-307X |