“The country of his past”: Homecoming in “A Modern Lover” and “The Shades of Spring”

In the two early stories, “A Modern Lover” and “The Shades of Spring,” Lawrence imagines an autobiographical figure returning to his home country to renew connection with the young woman he had loved (a version of Jessie Chambers). The two “homecoming” stories are intriguing add-ons to the Miriam Le...

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Main Author: Keith Cushman
Format: Article
Language:English
Published: Presses Universitaires de Paris Nanterre 2024-09-01
Series:Études Lawrenciennes
Subjects:
Online Access:https://journals.openedition.org/lawrence/3793
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author Keith Cushman
author_facet Keith Cushman
author_sort Keith Cushman
collection DOAJ
description In the two early stories, “A Modern Lover” and “The Shades of Spring,” Lawrence imagines an autobiographical figure returning to his home country to renew connection with the young woman he had loved (a version of Jessie Chambers). The two “homecoming” stories are intriguing add-ons to the Miriam Leivers material in Sons and Lovers. In “A Modern Lover” the returning protagonist is callow and self-centered, but his old sweetheart is still attracted to him. In “The Shades of Spring,” the returning protagonist discovers that his newly self-confident, “very womanly” former sweetheart is having an affair with a young gamekeeper. The differences between the stories and their main characters illuminate Lawrence’s personal and artistic growth between the composition of “A Modern Lover” in 1909 and the final revision of “The Shades of Spring for the Prussian Officer collection in the summer of 1914.
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spelling doaj-art-878889f43aaf4ec79c67b13156430d852025-08-20T01:55:19ZengPresses Universitaires de Paris NanterreÉtudes Lawrenciennes0994-54902272-40012024-09-015610.4000/12olu“The country of his past”: Homecoming in “A Modern Lover” and “The Shades of Spring”Keith CushmanIn the two early stories, “A Modern Lover” and “The Shades of Spring,” Lawrence imagines an autobiographical figure returning to his home country to renew connection with the young woman he had loved (a version of Jessie Chambers). The two “homecoming” stories are intriguing add-ons to the Miriam Leivers material in Sons and Lovers. In “A Modern Lover” the returning protagonist is callow and self-centered, but his old sweetheart is still attracted to him. In “The Shades of Spring,” the returning protagonist discovers that his newly self-confident, “very womanly” former sweetheart is having an affair with a young gamekeeper. The differences between the stories and their main characters illuminate Lawrence’s personal and artistic growth between the composition of “A Modern Lover” in 1909 and the final revision of “The Shades of Spring for the Prussian Officer collection in the summer of 1914.https://journals.openedition.org/lawrence/3793sexlovehomecomingcountrysidefarm
spellingShingle Keith Cushman
“The country of his past”: Homecoming in “A Modern Lover” and “The Shades of Spring”
Études Lawrenciennes
sex
love
homecoming
countryside
farm
title “The country of his past”: Homecoming in “A Modern Lover” and “The Shades of Spring”
title_full “The country of his past”: Homecoming in “A Modern Lover” and “The Shades of Spring”
title_fullStr “The country of his past”: Homecoming in “A Modern Lover” and “The Shades of Spring”
title_full_unstemmed “The country of his past”: Homecoming in “A Modern Lover” and “The Shades of Spring”
title_short “The country of his past”: Homecoming in “A Modern Lover” and “The Shades of Spring”
title_sort the country of his past homecoming in a modern lover and the shades of spring
topic sex
love
homecoming
countryside
farm
url https://journals.openedition.org/lawrence/3793
work_keys_str_mv AT keithcushman thecountryofhispasthomecominginamodernloverandtheshadesofspring