El Salón de Reinos del Palacio del Buen Retiro como espacio teatral

This article begins a study of the functions of the “Salón de Reinos” as a theatrical space in the Buen Retiro Palace since its construction in Madrid around 1633. It begins by recalling that the Great Hall or Hall of Realms of the Buen Retiro Palace was already conceived with the intention of hosti...

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Main Author: Javier Rubiera
Format: Article
Language:Spanish
Published: Casa de Velázquez 2025-05-01
Series:Mélanges de la Casa de Velázquez
Subjects:
Online Access:https://journals.openedition.org/mcv/24272
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author Javier Rubiera
author_facet Javier Rubiera
author_sort Javier Rubiera
collection DOAJ
description This article begins a study of the functions of the “Salón de Reinos” as a theatrical space in the Buen Retiro Palace since its construction in Madrid around 1633. It begins by recalling that the Great Hall or Hall of Realms of the Buen Retiro Palace was already conceived with the intention of hosting palace festivities, among them, theatrical performances, presided over by the monarchs. Some terminological clarifications are made regarding the different names of the Salón, taking into account its possible relationship with other names such as “saloncete” and “saloncillo”, which are widely used in seventeenth-century documentation. After some observations on its theatrical use between 1650 and 1700, the final part of the article focuses on the space of the Salón from the perspective of the movement of stages and stage machinery in the court environment of the seventeenth century, both in the Alcázar of Madrid and in the Buen Retiro Palace.
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series Mélanges de la Casa de Velázquez
spelling doaj-art-86c41549d808430fa574b41d295b79f42025-08-20T03:23:35ZspaCasa de VelázquezMélanges de la Casa de Velázquez0076-230X2173-13062025-05-0155110.4000/140swEl Salón de Reinos del Palacio del Buen Retiro como espacio teatralJavier RubieraThis article begins a study of the functions of the “Salón de Reinos” as a theatrical space in the Buen Retiro Palace since its construction in Madrid around 1633. It begins by recalling that the Great Hall or Hall of Realms of the Buen Retiro Palace was already conceived with the intention of hosting palace festivities, among them, theatrical performances, presided over by the monarchs. Some terminological clarifications are made regarding the different names of the Salón, taking into account its possible relationship with other names such as “saloncete” and “saloncillo”, which are widely used in seventeenth-century documentation. After some observations on its theatrical use between 1650 and 1700, the final part of the article focuses on the space of the Salón from the perspective of the movement of stages and stage machinery in the court environment of the seventeenth century, both in the Alcázar of Madrid and in the Buen Retiro Palace.https://journals.openedition.org/mcv/24272ColiseoSalón de ReinosRetiropalace theatretheatrical spaceAlcázar
spellingShingle Javier Rubiera
El Salón de Reinos del Palacio del Buen Retiro como espacio teatral
Mélanges de la Casa de Velázquez
Coliseo
Salón de Reinos
Retiro
palace theatre
theatrical space
Alcázar
title El Salón de Reinos del Palacio del Buen Retiro como espacio teatral
title_full El Salón de Reinos del Palacio del Buen Retiro como espacio teatral
title_fullStr El Salón de Reinos del Palacio del Buen Retiro como espacio teatral
title_full_unstemmed El Salón de Reinos del Palacio del Buen Retiro como espacio teatral
title_short El Salón de Reinos del Palacio del Buen Retiro como espacio teatral
title_sort el salon de reinos del palacio del buen retiro como espacio teatral
topic Coliseo
Salón de Reinos
Retiro
palace theatre
theatrical space
Alcázar
url https://journals.openedition.org/mcv/24272
work_keys_str_mv AT javierrubiera elsalondereinosdelpalaciodelbuenretirocomoespacioteatral