Pascal, poète des espaces : quelques interprétations critiques des années 1920

In this paper, Richard Parish aims at rasping the essential part of the poetic status of some fragments of the Pensées. After looking for criteria of poeticity in the proposals of Paul Valéry, Paul Claudel and Gabriel Brunet published on the occasion of the tercentenary of 1923, he studies the "...

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Main Author: Richard Parish
Format: Article
Language:fra
Published: Groupe de Recherches Interdisciplinaires sur l'Histoire du Littéraire
Series:Les Dossiers du GRIHL
Online Access:https://journals.openedition.org/dossiersgrihl/9960
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author Richard Parish
author_facet Richard Parish
author_sort Richard Parish
collection DOAJ
description In this paper, Richard Parish aims at rasping the essential part of the poetic status of some fragments of the Pensées. After looking for criteria of poeticity in the proposals of Paul Valéry, Paul Claudel and Gabriel Brunet published on the occasion of the tercentenary of 1923, he studies the "manuscript of the Recueil original" in the light of those criteria highlightened by Claudel: "An idea isolated by blank [...] an intelligible and permanent sonority." I.e. graphically, the relationship between typographic isolation, the lack of prosaic links between sentences and formulas, and thus their resonance. The attention paid to the collection allows us to discover four categories of spatial separation, some totally independent of the author's intention, others, on the contrary, revealing a new one which is more or less easy to recognise, according to the case; what is important is that, for those who look at this manuscript and read it, "the silent spaces that frighten Pascal are not in the sky, they are on the page."
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spelling doaj-art-86604eefaf7c4fd8be313dafad30f3692025-08-20T02:26:36ZfraGroupe de Recherches Interdisciplinaires sur l'Histoire du LittéraireLes Dossiers du GRIHL1958-924715210.4000/dossiersgrihl.9960Pascal, poète des espaces : quelques interprétations critiques des années 1920Richard ParishIn this paper, Richard Parish aims at rasping the essential part of the poetic status of some fragments of the Pensées. After looking for criteria of poeticity in the proposals of Paul Valéry, Paul Claudel and Gabriel Brunet published on the occasion of the tercentenary of 1923, he studies the "manuscript of the Recueil original" in the light of those criteria highlightened by Claudel: "An idea isolated by blank [...] an intelligible and permanent sonority." I.e. graphically, the relationship between typographic isolation, the lack of prosaic links between sentences and formulas, and thus their resonance. The attention paid to the collection allows us to discover four categories of spatial separation, some totally independent of the author's intention, others, on the contrary, revealing a new one which is more or less easy to recognise, according to the case; what is important is that, for those who look at this manuscript and read it, "the silent spaces that frighten Pascal are not in the sky, they are on the page."https://journals.openedition.org/dossiersgrihl/9960
spellingShingle Richard Parish
Pascal, poète des espaces : quelques interprétations critiques des années 1920
Les Dossiers du GRIHL
title Pascal, poète des espaces : quelques interprétations critiques des années 1920
title_full Pascal, poète des espaces : quelques interprétations critiques des années 1920
title_fullStr Pascal, poète des espaces : quelques interprétations critiques des années 1920
title_full_unstemmed Pascal, poète des espaces : quelques interprétations critiques des années 1920
title_short Pascal, poète des espaces : quelques interprétations critiques des années 1920
title_sort pascal poete des espaces quelques interpretations critiques des annees 1920
url https://journals.openedition.org/dossiersgrihl/9960
work_keys_str_mv AT richardparish pascalpoetedesespacesquelquesinterpretationscritiquesdesannees1920