“Whose roar is it, anyway? Localization and ideological communication with respect to the Toho Godzilla franchise”
Since the mid-1980s, film critics and audiences have come to recognize Ishirō Honda’s original cut of Gojira/Godzilla (1954) to be a substantial meditation on the atomic bombing of Japan, an analysis that had been initially obscured by the re-working of the film for distribution to Western audiences...
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| Format: | Article |
| Language: | English |
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Taylor & Francis Group
2024-12-01
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| Series: | Journal of Aesthetics & Culture |
| Subjects: | |
| Online Access: | https://www.tandfonline.com/doi/10.1080/20004214.2024.2367264 |
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