Dokumentalny świat Andrzeja Wajdy
<p>The article introduces a relatively unknown aspect of Andrzej Wajda’s output – his documentary films. The author examines documentaries on art and autobiographical film, which usually comprise glosses on feature films. These non-fiction films, like Wajda's best-known movies, refer to t...
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| Format: | Article |
| Language: | Polish |
| Published: |
Adam Mickiewicz University
2017-12-01
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| Series: | Przestrzenie Teorii |
| Online Access: | http://pressto.amu.edu.pl/index.php/pt/article/view/10367 |
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| _version_ | 1849724082249007104 |
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| author | Katarzyna Mąka-Malatyńska |
| author_facet | Katarzyna Mąka-Malatyńska |
| author_sort | Katarzyna Mąka-Malatyńska |
| collection | DOAJ |
| description | <p>The article introduces a relatively unknown aspect of Andrzej Wajda’s output – his documentary films. The author examines documentaries on art and autobiographical film, which usually comprise glosses on feature films. These non-fiction films, like Wajda's best-known movies, refer to the codes of Polish culture, created by art and literature, and thanks to which the creative output of the maker of Afterimage (Powidoki) appears to unusually coherent and consistent, regardless of the genealogical classification. The author selects examples to analyse the connections between Wajda’s feature films and the conventions of the documentary. Wajda’s overriding aim in using the poetics of documentary is in each case to undertake mise-en-abîme reflections.</p> |
| format | Article |
| id | doaj-art-851e0807137f4351b7961ba239daab09 |
| institution | DOAJ |
| issn | 1644-6763 2450-5765 |
| language | Polish |
| publishDate | 2017-12-01 |
| publisher | Adam Mickiewicz University |
| record_format | Article |
| series | Przestrzenie Teorii |
| spelling | doaj-art-851e0807137f4351b7961ba239daab092025-08-20T03:10:50ZpolAdam Mickiewicz UniversityPrzestrzenie Teorii1644-67632450-57652017-12-010279311610.14746/pt.2017.27.99931Dokumentalny świat Andrzeja WajdyKatarzyna Mąka-Malatyńska<p>The article introduces a relatively unknown aspect of Andrzej Wajda’s output – his documentary films. The author examines documentaries on art and autobiographical film, which usually comprise glosses on feature films. These non-fiction films, like Wajda's best-known movies, refer to the codes of Polish culture, created by art and literature, and thanks to which the creative output of the maker of Afterimage (Powidoki) appears to unusually coherent and consistent, regardless of the genealogical classification. The author selects examples to analyse the connections between Wajda’s feature films and the conventions of the documentary. Wajda’s overriding aim in using the poetics of documentary is in each case to undertake mise-en-abîme reflections.</p>http://pressto.amu.edu.pl/index.php/pt/article/view/10367 |
| spellingShingle | Katarzyna Mąka-Malatyńska Dokumentalny świat Andrzeja Wajdy Przestrzenie Teorii |
| title | Dokumentalny świat Andrzeja Wajdy |
| title_full | Dokumentalny świat Andrzeja Wajdy |
| title_fullStr | Dokumentalny świat Andrzeja Wajdy |
| title_full_unstemmed | Dokumentalny świat Andrzeja Wajdy |
| title_short | Dokumentalny świat Andrzeja Wajdy |
| title_sort | dokumentalny swiat andrzeja wajdy |
| url | http://pressto.amu.edu.pl/index.php/pt/article/view/10367 |
| work_keys_str_mv | AT katarzynamakamalatynska dokumentalnyswiatandrzejawajdy |