Force de la pudeur

This paper focuses on the strategic importance of sexuality in the abolitionist battle waged by slave narratives. The first whipping scene in Douglass’s 1845 autobiography is studied as an example of the way the almost unspeakable sexual tyranny of the masters manages to be suggested in spite of str...

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Main Author: Suzanne Fraysse
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2013-05-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/6213
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author Suzanne Fraysse
author_facet Suzanne Fraysse
author_sort Suzanne Fraysse
collection DOAJ
description This paper focuses on the strategic importance of sexuality in the abolitionist battle waged by slave narratives. The first whipping scene in Douglass’s 1845 autobiography is studied as an example of the way the almost unspeakable sexual tyranny of the masters manages to be suggested in spite of strict rules of narrative propriety. Other slave narratives are then examined to show how the slave narrators’ reticence does not simply stem from their desire to live up to the prudish expectations of their readers but constitutes a rhetorical strategy aiming at opposing fugitive slaves abiding by conservative moral values to slaveholders whose profligacy blurs the conventional boundaries between males and females, Blacks and Whites, animals and human beings. As a result, try as they may to challenge the scale of values associated with these stereotypes, slave narrators get trapped in a conservative system of polarities that define them as inferior. However, their desire to ingratiate themselves to their abolitionist readers should not be overestimated and the slave narrators’ reticence allows them to keep the inmost me behind a veil and elude the grasp of readers eager for sensational reporting.
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spelling doaj-art-84b2bc008d9940298d0bc4f4d0dbec0b2025-01-30T10:43:55ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662013-05-01210.4000/transatlantica.6213Force de la pudeurSuzanne FraysseThis paper focuses on the strategic importance of sexuality in the abolitionist battle waged by slave narratives. The first whipping scene in Douglass’s 1845 autobiography is studied as an example of the way the almost unspeakable sexual tyranny of the masters manages to be suggested in spite of strict rules of narrative propriety. Other slave narratives are then examined to show how the slave narrators’ reticence does not simply stem from their desire to live up to the prudish expectations of their readers but constitutes a rhetorical strategy aiming at opposing fugitive slaves abiding by conservative moral values to slaveholders whose profligacy blurs the conventional boundaries between males and females, Blacks and Whites, animals and human beings. As a result, try as they may to challenge the scale of values associated with these stereotypes, slave narrators get trapped in a conservative system of polarities that define them as inferior. However, their desire to ingratiate themselves to their abolitionist readers should not be overestimated and the slave narrators’ reticence allows them to keep the inmost me behind a veil and elude the grasp of readers eager for sensational reporting.https://journals.openedition.org/transatlantica/6213resistanceslave narrativessexual tyrannyabolitionist readership.
spellingShingle Suzanne Fraysse
Force de la pudeur
Transatlantica
resistance
slave narratives
sexual tyranny
abolitionist readership.
title Force de la pudeur
title_full Force de la pudeur
title_fullStr Force de la pudeur
title_full_unstemmed Force de la pudeur
title_short Force de la pudeur
title_sort force de la pudeur
topic resistance
slave narratives
sexual tyranny
abolitionist readership.
url https://journals.openedition.org/transatlantica/6213
work_keys_str_mv AT suzannefraysse forcedelapudeur