Il sesso inutile (1961) d’Oriana Fallaci : aux origines de l’islamophobie d’une icône italienne

Il sesso inutile. Viaggio intorno alla donna (1961) (« Useless Sex. A Journey Around the Woman ») is the first text published by Oriana Fallaci and has been somewhat forgotten by critics in favour of her later production. It is, however, a fundamental text for understanding that the author's ha...

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Main Author: Iz Séverin
Format: Article
Language:fra
Published: Association Paul Langevin 2022-04-01
Series:Cahiers d’histoire
Subjects:
Online Access:https://journals.openedition.org/chrhc/18298
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author Iz Séverin
author_facet Iz Séverin
author_sort Iz Séverin
collection DOAJ
description Il sesso inutile. Viaggio intorno alla donna (1961) (« Useless Sex. A Journey Around the Woman ») is the first text published by Oriana Fallaci and has been somewhat forgotten by critics in favour of her later production. It is, however, a fundamental text for understanding that the author's hatred of Islam arose long before its official birth, proclaimed in a very functional and opportunistic way by the media and politicians as dating from the attacks of 11 September 2001. This article therefore proposes to go back to this first writing and to show that a form of Islamophobia is already present, as well as racist and colonialist components, and the presence of a right-wing feminism. Given the media mobilisation of Oriana Fallaci in Italy, this text also allows us to question the strengths and possibilities of a cultural, social and political anti-racism in the face of the prominence of such a figure in the imaginary and in current nationalist discourses.
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spelling doaj-art-83ae1ffe981e41a8a4634249dbf2cf182025-08-20T01:57:54ZfraAssociation Paul LangevinCahiers d’histoire1271-66692102-59162022-04-0112914410.4000/chrhc.18298Il sesso inutile (1961) d’Oriana Fallaci : aux origines de l’islamophobie d’une icône italienneIz SéverinIl sesso inutile. Viaggio intorno alla donna (1961) (« Useless Sex. A Journey Around the Woman ») is the first text published by Oriana Fallaci and has been somewhat forgotten by critics in favour of her later production. It is, however, a fundamental text for understanding that the author's hatred of Islam arose long before its official birth, proclaimed in a very functional and opportunistic way by the media and politicians as dating from the attacks of 11 September 2001. This article therefore proposes to go back to this first writing and to show that a form of Islamophobia is already present, as well as racist and colonialist components, and the presence of a right-wing feminism. Given the media mobilisation of Oriana Fallaci in Italy, this text also allows us to question the strengths and possibilities of a cultural, social and political anti-racism in the face of the prominence of such a figure in the imaginary and in current nationalist discourses.https://journals.openedition.org/chrhc/18298feminismrepresentationFallacinationalismislamophobiaimagination
spellingShingle Iz Séverin
Il sesso inutile (1961) d’Oriana Fallaci : aux origines de l’islamophobie d’une icône italienne
Cahiers d’histoire
feminism
representation
Fallaci
nationalism
islamophobia
imagination
title Il sesso inutile (1961) d’Oriana Fallaci : aux origines de l’islamophobie d’une icône italienne
title_full Il sesso inutile (1961) d’Oriana Fallaci : aux origines de l’islamophobie d’une icône italienne
title_fullStr Il sesso inutile (1961) d’Oriana Fallaci : aux origines de l’islamophobie d’une icône italienne
title_full_unstemmed Il sesso inutile (1961) d’Oriana Fallaci : aux origines de l’islamophobie d’une icône italienne
title_short Il sesso inutile (1961) d’Oriana Fallaci : aux origines de l’islamophobie d’une icône italienne
title_sort il sesso inutile 1961 d oriana fallaci aux origines de l islamophobie d une icone italienne
topic feminism
representation
Fallaci
nationalism
islamophobia
imagination
url https://journals.openedition.org/chrhc/18298
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