« No ifs or buts. / I didn’t say if or but, I said no » : Le sujet et son désir contre le discours de la psychiatrie
Sarah Kane’s oeuvre enables us to see how the body, which was initially foregrounded in her work, gradually disappears. The body that was once abused, exposed, mistreated in Blasted, to the extent that it was unbearable in performance, is reduced to a voice, in 4.48 Psychosis, whose language defies...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2015-04-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/3960 |
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