« No ifs or buts. / I didn’t say if or but, I said no » : Le sujet et son désir contre le discours de la psychiatrie

Sarah Kane’s oeuvre enables us to see how the body, which was initially foregrounded in her work, gradually disappears. The body that was once abused, exposed, mistreated in Blasted, to the extent that it was unbearable in performance, is reduced to a voice, in 4.48 Psychosis, whose language defies...

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Main Author: Nicolas Pierre Boileau
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2015-04-01
Series:Sillages Critiques
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Online Access:https://journals.openedition.org/sillagescritiques/3960
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author Nicolas Pierre Boileau
author_facet Nicolas Pierre Boileau
author_sort Nicolas Pierre Boileau
collection DOAJ
description Sarah Kane’s oeuvre enables us to see how the body, which was initially foregrounded in her work, gradually disappears. The body that was once abused, exposed, mistreated in Blasted, to the extent that it was unbearable in performance, is reduced to a voice, in 4.48 Psychosis, whose language defies the laws of grammar and which seems to circulate like a bodiless soul. This article seeks to interpret the gradual disappearance of the body on stage as a questioning of the clinical construction of the subject, and an attempt at representing it as a subject of language, against cognitive psychology. The aim is to show how madness evolves from a theoretical construction in which it is a deviation from normalcy to a discourse that construes it as a response to the real, as defined by J. Lacan.
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publisher Centre de Recherche "Texte et Critique de Texte"
record_format Article
series Sillages Critiques
spelling doaj-art-82bd7712ebfd47d4ba7fbfbd803c68db2025-01-30T13:48:01ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022015-04-011810.4000/sillagescritiques.3960« No ifs or buts. / I didn’t say if or but, I said no » : Le sujet et son désir contre le discours de la psychiatrieNicolas Pierre BoileauSarah Kane’s oeuvre enables us to see how the body, which was initially foregrounded in her work, gradually disappears. The body that was once abused, exposed, mistreated in Blasted, to the extent that it was unbearable in performance, is reduced to a voice, in 4.48 Psychosis, whose language defies the laws of grammar and which seems to circulate like a bodiless soul. This article seeks to interpret the gradual disappearance of the body on stage as a questioning of the clinical construction of the subject, and an attempt at representing it as a subject of language, against cognitive psychology. The aim is to show how madness evolves from a theoretical construction in which it is a deviation from normalcy to a discourse that construes it as a response to the real, as defined by J. Lacan.https://journals.openedition.org/sillagescritiques/3960psychoanalysisSarah Kanepsychiatrycognitive psychologyFreudLacan
spellingShingle Nicolas Pierre Boileau
« No ifs or buts. / I didn’t say if or but, I said no » : Le sujet et son désir contre le discours de la psychiatrie
Sillages Critiques
psychoanalysis
Sarah Kane
psychiatry
cognitive psychology
Freud
Lacan
title « No ifs or buts. / I didn’t say if or but, I said no » : Le sujet et son désir contre le discours de la psychiatrie
title_full « No ifs or buts. / I didn’t say if or but, I said no » : Le sujet et son désir contre le discours de la psychiatrie
title_fullStr « No ifs or buts. / I didn’t say if or but, I said no » : Le sujet et son désir contre le discours de la psychiatrie
title_full_unstemmed « No ifs or buts. / I didn’t say if or but, I said no » : Le sujet et son désir contre le discours de la psychiatrie
title_short « No ifs or buts. / I didn’t say if or but, I said no » : Le sujet et son désir contre le discours de la psychiatrie
title_sort no ifs or buts i didn t say if or but i said no le sujet et son desir contre le discours de la psychiatrie
topic psychoanalysis
Sarah Kane
psychiatry
cognitive psychology
Freud
Lacan
url https://journals.openedition.org/sillagescritiques/3960
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