De l’onirisme à l’ironie : les prestiges de la nuit dans l’Euphormion de Jean Barclay (1605)

Published in 1605 by the Franco-Scottish author John Barclay, the first part of Euphormionis Lusinini Satyricon abounds in night scenes, where the eponymous character is confronted with a series of ambiguous phenomena (will-o’-the-wisps, ghosts, dreams) – supernatural, or natural events? The narrati...

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Main Author: Nicolas Correard
Format: Article
Language:English
Published: Institut du Monde Anglophone 2016-12-01
Series:Etudes Epistémè
Subjects:
Online Access:https://journals.openedition.org/episteme/1429
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author Nicolas Correard
author_facet Nicolas Correard
author_sort Nicolas Correard
collection DOAJ
description Published in 1605 by the Franco-Scottish author John Barclay, the first part of Euphormionis Lusinini Satyricon abounds in night scenes, where the eponymous character is confronted with a series of ambiguous phenomena (will-o’-the-wisps, ghosts, dreams) – supernatural, or natural events? The narrative remains open to interpretation, as its reception shows, especially the French translations, which tend to reduce the deliberate ambiguity and obscurity of the text by choosing one type of explanation. In fact, Barclay offers a subtle satirical travesty of demonological anecdotes and premonitory dream narratives, through the imitation of classics (Lucian, Apuleius, Petronius), the use of contemporary sources (notably Pierre Le Loyer), or the careful staging of events. The author plays a game of make-believe in order to make his readers doubt, as the lesson in incredulity relies on the very experience of narrative illusion.
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spelling doaj-art-826ff3e2ea5a4bf0ba03b94ec14fbd162025-08-20T03:07:23ZengInstitut du Monde AnglophoneEtudes Epistémè1634-04502016-12-013010.4000/episteme.1429De l’onirisme à l’ironie : les prestiges de la nuit dans l’Euphormion de Jean Barclay (1605)Nicolas CorreardPublished in 1605 by the Franco-Scottish author John Barclay, the first part of Euphormionis Lusinini Satyricon abounds in night scenes, where the eponymous character is confronted with a series of ambiguous phenomena (will-o’-the-wisps, ghosts, dreams) – supernatural, or natural events? The narrative remains open to interpretation, as its reception shows, especially the French translations, which tend to reduce the deliberate ambiguity and obscurity of the text by choosing one type of explanation. In fact, Barclay offers a subtle satirical travesty of demonological anecdotes and premonitory dream narratives, through the imitation of classics (Lucian, Apuleius, Petronius), the use of contemporary sources (notably Pierre Le Loyer), or the careful staging of events. The author plays a game of make-believe in order to make his readers doubt, as the lesson in incredulity relies on the very experience of narrative illusion.https://journals.openedition.org/episteme/1429dreamJohn Barclayneo-Latin literatureMenippean satirenightspecters
spellingShingle Nicolas Correard
De l’onirisme à l’ironie : les prestiges de la nuit dans l’Euphormion de Jean Barclay (1605)
Etudes Epistémè
dream
John Barclay
neo-Latin literature
Menippean satire
night
specters
title De l’onirisme à l’ironie : les prestiges de la nuit dans l’Euphormion de Jean Barclay (1605)
title_full De l’onirisme à l’ironie : les prestiges de la nuit dans l’Euphormion de Jean Barclay (1605)
title_fullStr De l’onirisme à l’ironie : les prestiges de la nuit dans l’Euphormion de Jean Barclay (1605)
title_full_unstemmed De l’onirisme à l’ironie : les prestiges de la nuit dans l’Euphormion de Jean Barclay (1605)
title_short De l’onirisme à l’ironie : les prestiges de la nuit dans l’Euphormion de Jean Barclay (1605)
title_sort de l onirisme a l ironie les prestiges de la nuit dans l euphormion de jean barclay 1605
topic dream
John Barclay
neo-Latin literature
Menippean satire
night
specters
url https://journals.openedition.org/episteme/1429
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