Kritik Konsumerisme Budaya Musik dalam Tren Lagu Mas Dho: Analisis Teori Kritis Mazhab Frankfurt dan Perspektif Islam
This study examines the phenomenon of industrial culture reflected in the trend of Javanese koplo dangdut music popularized by Mas Dho among Indonesian millennials. Using a descriptive qualitative approach, data were gathered through interviews with Mas Dho’s listeners and content analysis of social...
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| Format: | Article |
| Language: | Arabic |
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Institut Agama Islam Negeri Kediri
2025-02-01
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| Series: | Canonia Religia |
| Subjects: | |
| Online Access: | https://jurnalfuda.iainkediri.ac.id/index.php/canoniareligia/article/view/2962 |
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| author | Naila Niswatul Karimah Arina Sabilal Muna Saidah Saidah A. Zahid |
| author_facet | Naila Niswatul Karimah Arina Sabilal Muna Saidah Saidah A. Zahid |
| author_sort | Naila Niswatul Karimah |
| collection | DOAJ |
| description | This study examines the phenomenon of industrial culture reflected in the trend of Javanese koplo dangdut music popularized by Mas Dho among Indonesian millennials. Using a descriptive qualitative approach, data were gathered through interviews with Mas Dho’s listeners and content analysis of social media platforms. Guided by the Critical Theory of the Frankfurt School and Islamic ethical perspectives, the findings reveal that the popularity of Mas Dho’s songs exemplifies cultural commodification, where music is transformed into a market-driven product within the capitalist system. This commodification fosters a false consciousness among consumers, subtly aligning their cultural tastes with industrial interests. From an Islamic viewpoint, music consumption is not merely an aesthetic act but a moral engagement that demands adherence to spiritual and ethical values. The research emphasizes critical awareness in consuming popular culture and calls for balancing artistic freedom with Islamic principles of morality, modesty, and social responsibility. In this light, the study invites a rethinking of how cultural products should foster moral consciousness rather than serve solely as instruments of capitalist commodification. |
| format | Article |
| id | doaj-art-82370012ae914f398cbc2f0a3310bb14 |
| institution | Kabale University |
| issn | 3021-8578 |
| language | Arabic |
| publishDate | 2025-02-01 |
| publisher | Institut Agama Islam Negeri Kediri |
| record_format | Article |
| series | Canonia Religia |
| spelling | doaj-art-82370012ae914f398cbc2f0a3310bb142025-08-25T22:00:28ZaraInstitut Agama Islam Negeri KediriCanonia Religia3021-85782025-02-012219921210.30762/cr.v2i2.29623011Kritik Konsumerisme Budaya Musik dalam Tren Lagu Mas Dho: Analisis Teori Kritis Mazhab Frankfurt dan Perspektif IslamNaila Niswatul Karimah0Arina Sabilal Muna1Saidah Saidah2A. Zahid3Institut Agama Islam Negeri Kediri, IndonesiaInstitut Agama Islam Negeri Kediri, IndonesiaInstitut Agama Islam Negeri Kediri, IndonesiaUniversitas Islam Negeri Sayyid Ali Rahmatullah Tulungagung, IndonesiaThis study examines the phenomenon of industrial culture reflected in the trend of Javanese koplo dangdut music popularized by Mas Dho among Indonesian millennials. Using a descriptive qualitative approach, data were gathered through interviews with Mas Dho’s listeners and content analysis of social media platforms. Guided by the Critical Theory of the Frankfurt School and Islamic ethical perspectives, the findings reveal that the popularity of Mas Dho’s songs exemplifies cultural commodification, where music is transformed into a market-driven product within the capitalist system. This commodification fosters a false consciousness among consumers, subtly aligning their cultural tastes with industrial interests. From an Islamic viewpoint, music consumption is not merely an aesthetic act but a moral engagement that demands adherence to spiritual and ethical values. The research emphasizes critical awareness in consuming popular culture and calls for balancing artistic freedom with Islamic principles of morality, modesty, and social responsibility. In this light, the study invites a rethinking of how cultural products should foster moral consciousness rather than serve solely as instruments of capitalist commodification.https://jurnalfuda.iainkediri.ac.id/index.php/canoniareligia/article/view/2962budaya industri, teori kritis mahzab frankfrut, trend |
| spellingShingle | Naila Niswatul Karimah Arina Sabilal Muna Saidah Saidah A. Zahid Kritik Konsumerisme Budaya Musik dalam Tren Lagu Mas Dho: Analisis Teori Kritis Mazhab Frankfurt dan Perspektif Islam Canonia Religia budaya industri, teori kritis mahzab frankfrut, trend |
| title | Kritik Konsumerisme Budaya Musik dalam Tren Lagu Mas Dho: Analisis Teori Kritis Mazhab Frankfurt dan Perspektif Islam |
| title_full | Kritik Konsumerisme Budaya Musik dalam Tren Lagu Mas Dho: Analisis Teori Kritis Mazhab Frankfurt dan Perspektif Islam |
| title_fullStr | Kritik Konsumerisme Budaya Musik dalam Tren Lagu Mas Dho: Analisis Teori Kritis Mazhab Frankfurt dan Perspektif Islam |
| title_full_unstemmed | Kritik Konsumerisme Budaya Musik dalam Tren Lagu Mas Dho: Analisis Teori Kritis Mazhab Frankfurt dan Perspektif Islam |
| title_short | Kritik Konsumerisme Budaya Musik dalam Tren Lagu Mas Dho: Analisis Teori Kritis Mazhab Frankfurt dan Perspektif Islam |
| title_sort | kritik konsumerisme budaya musik dalam tren lagu mas dho analisis teori kritis mazhab frankfurt dan perspektif islam |
| topic | budaya industri, teori kritis mahzab frankfrut, trend |
| url | https://jurnalfuda.iainkediri.ac.id/index.php/canoniareligia/article/view/2962 |
| work_keys_str_mv | AT nailaniswatulkarimah kritikkonsumerismebudayamusikdalamtrenlagumasdhoanalisisteorikritismazhabfrankfurtdanperspektifislam AT arinasabilalmuna kritikkonsumerismebudayamusikdalamtrenlagumasdhoanalisisteorikritismazhabfrankfurtdanperspektifislam AT saidahsaidah kritikkonsumerismebudayamusikdalamtrenlagumasdhoanalisisteorikritismazhabfrankfurtdanperspektifislam AT azahid kritikkonsumerismebudayamusikdalamtrenlagumasdhoanalisisteorikritismazhabfrankfurtdanperspektifislam |