El curador como intermediario cultural
This article explores the emergence and consolidation of the curator in contemporary art. It examines the impact of external and internal factors in the development of a new type of cultural mediator between producers and audiences. This phenomenon of a global nature, was translated at a later tim...
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| Format: | Article |
| Language: | Spanish |
| Published: |
Universidad Nacional de Lanús
2010-11-01
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| Series: | Perspectivas Metodológicas |
| Subjects: | |
| Online Access: | https://revistas.unla.edu.ar/epistemologia/article/view/474 |
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| _version_ | 1849224072418820096 |
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| author | Syd Krochmalny |
| author_facet | Syd Krochmalny |
| author_sort | Syd Krochmalny |
| collection | DOAJ |
| description |
This article explores the emergence and consolidation of the curator in
contemporary art. It examines the impact of external and internal factors
in the development of a new type of cultural mediator between producers
and audiences. This phenomenon of a global nature, was translated at
a later time, and with singular characteristic in Argentina. In the context
of a generation and artistic movement that had been established outside
of institutional competence, there were three types of curators (artists, independent and institutional), whose curatorial discourses took conflicting forms. the consolidation of the curator was developed over a period of professionalization and institutionalization. 'is process changed the relationship between actors, roles and the power of legitimacy.
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| format | Article |
| id | doaj-art-81ad5a7c2aa545a489883d698a032238 |
| institution | Kabale University |
| issn | 1666-3055 2618-4125 |
| language | Spanish |
| publishDate | 2010-11-01 |
| publisher | Universidad Nacional de Lanús |
| record_format | Article |
| series | Perspectivas Metodológicas |
| spelling | doaj-art-81ad5a7c2aa545a489883d698a0322382025-08-25T16:07:01ZspaUniversidad Nacional de LanúsPerspectivas Metodológicas1666-30552618-41252010-11-01101010.18294/pm.2010.474El curador como intermediario culturalSyd Krochmalny This article explores the emergence and consolidation of the curator in contemporary art. It examines the impact of external and internal factors in the development of a new type of cultural mediator between producers and audiences. This phenomenon of a global nature, was translated at a later time, and with singular characteristic in Argentina. In the context of a generation and artistic movement that had been established outside of institutional competence, there were three types of curators (artists, independent and institutional), whose curatorial discourses took conflicting forms. the consolidation of the curator was developed over a period of professionalization and institutionalization. 'is process changed the relationship between actors, roles and the power of legitimacy. https://revistas.unla.edu.ar/epistemologia/article/view/474sociology of artinstitutionscontemporary art |
| spellingShingle | Syd Krochmalny El curador como intermediario cultural Perspectivas Metodológicas sociology of art institutions contemporary art |
| title | El curador como intermediario cultural |
| title_full | El curador como intermediario cultural |
| title_fullStr | El curador como intermediario cultural |
| title_full_unstemmed | El curador como intermediario cultural |
| title_short | El curador como intermediario cultural |
| title_sort | el curador como intermediario cultural |
| topic | sociology of art institutions contemporary art |
| url | https://revistas.unla.edu.ar/epistemologia/article/view/474 |
| work_keys_str_mv | AT sydkrochmalny elcuradorcomointermediariocultural |