“Her-story”: contemporary female film directors in post-Yugoslav cinema

The subject of this paper is a new generation of female directors in former Yugoslav (Croatia, Serbia, Bosnia and Herzegovina) cinematography. It considers the stylistic, narrative and representational strategies in the films Clip (Klip, 2012) by Maja Miloš, Sonja and the Bull (Sonja i bik, 2012) b...

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Main Author: Dejan Durić
Format: Article
Language:English
Published: Adam Mickiewicz University Press 2018-12-01
Series:Images
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Online Access:https://pressto.amu.edu.pl/index.php/i/article/view/17076
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author Dejan Durić
author_facet Dejan Durić
author_sort Dejan Durić
collection DOAJ
description The subject of this paper is a new generation of female directors in former Yugoslav (Croatia, Serbia, Bosnia and Herzegovina) cinematography. It considers the stylistic, narrative and representational strategies in the films Clip (Klip, 2012) by Maja Miloš, Sonja and the Bull (Sonja i bik, 2012) by Vlatka Vorkapić, Our Everyday Life (Naša svakodnevna priča, 2015) by Ines Tanović, Zagreb Cappuccino (2014) by Vanja Sviličić, Trampoline (Trampolin, 2016) by Zrinka Katarina Matijević, You Carry Me (Ti mene nosiš, 2015) by Ivona Juka, and Quit Staring at My Plate (Ne gledaj mi u pijat, 2016) by Hana Jušić. The movies are related through conceptual, thematic and/or stylistic features. They examine the position of female protagonists in a patriarchal society and their daily experiences, wherein they dissect gender, economic and social problems that exist in countries in the territory of former Yugoslavia.
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spelling doaj-art-81aca967e1ce49dfaa4415032348e57e2025-08-20T03:09:29ZengAdam Mickiewicz University PressImages1731-450X2720-040X2018-12-01233210.14746/i.2018.32.08“Her-story”: contemporary female film directors in post-Yugoslav cinemaDejan Durić0Faculty of Humanities and Social Sciences University of Rijeka The subject of this paper is a new generation of female directors in former Yugoslav (Croatia, Serbia, Bosnia and Herzegovina) cinematography. It considers the stylistic, narrative and representational strategies in the films Clip (Klip, 2012) by Maja Miloš, Sonja and the Bull (Sonja i bik, 2012) by Vlatka Vorkapić, Our Everyday Life (Naša svakodnevna priča, 2015) by Ines Tanović, Zagreb Cappuccino (2014) by Vanja Sviličić, Trampoline (Trampolin, 2016) by Zrinka Katarina Matijević, You Carry Me (Ti mene nosiš, 2015) by Ivona Juka, and Quit Staring at My Plate (Ne gledaj mi u pijat, 2016) by Hana Jušić. The movies are related through conceptual, thematic and/or stylistic features. They examine the position of female protagonists in a patriarchal society and their daily experiences, wherein they dissect gender, economic and social problems that exist in countries in the territory of former Yugoslavia. https://pressto.amu.edu.pl/index.php/i/article/view/17076post-Yugoslav cinemafemale directorsher storyposttransitionfemale subjectivity
spellingShingle Dejan Durić
“Her-story”: contemporary female film directors in post-Yugoslav cinema
Images
post-Yugoslav cinema
female directors
her story
posttransition
female subjectivity
title “Her-story”: contemporary female film directors in post-Yugoslav cinema
title_full “Her-story”: contemporary female film directors in post-Yugoslav cinema
title_fullStr “Her-story”: contemporary female film directors in post-Yugoslav cinema
title_full_unstemmed “Her-story”: contemporary female film directors in post-Yugoslav cinema
title_short “Her-story”: contemporary female film directors in post-Yugoslav cinema
title_sort her story contemporary female film directors in post yugoslav cinema
topic post-Yugoslav cinema
female directors
her story
posttransition
female subjectivity
url https://pressto.amu.edu.pl/index.php/i/article/view/17076
work_keys_str_mv AT dejanduric herstorycontemporaryfemalefilmdirectorsinpostyugoslavcinema