L’objet à l’œuvre dans l’art des British Young Artists
While an artwork is never merely an object, the relationship between the two has come to define some of the historical evolutions of art, and especially that of the 20th century, going from representation to presentation. The works of the Young British Artists, at the very end of the century, have s...
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| Format: | Article |
| Language: | English |
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Presses universitaires de Rennes
2006-01-01
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| Series: | Revue LISA |
| Online Access: | https://journals.openedition.org/lisa/870 |
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| _version_ | 1850047979848728576 |
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| author | Charlotte Gould |
| author_facet | Charlotte Gould |
| author_sort | Charlotte Gould |
| collection | DOAJ |
| description | While an artwork is never merely an object, the relationship between the two has come to define some of the historical evolutions of art, and especially that of the 20th century, going from representation to presentation. The works of the Young British Artists, at the very end of the century, have suggested a way out of both the dematerialization process inaugurated by some of their elders and the very weighty materialism of the New Sculpture of the eighties with its “truth to material” motto, by adopting a lighter approach, unencumbered with history, which does away with the unbearable heaviness of things. |
| format | Article |
| id | doaj-art-8116a47cbfa241da85d015a51996f26c |
| institution | DOAJ |
| issn | 1762-6153 |
| language | English |
| publishDate | 2006-01-01 |
| publisher | Presses universitaires de Rennes |
| record_format | Article |
| series | Revue LISA |
| spelling | doaj-art-8116a47cbfa241da85d015a51996f26c2025-08-20T02:54:04ZengPresses universitaires de RennesRevue LISA1762-61532006-01-0110.4000/lisa.870L’objet à l’œuvre dans l’art des British Young ArtistsCharlotte GouldWhile an artwork is never merely an object, the relationship between the two has come to define some of the historical evolutions of art, and especially that of the 20th century, going from representation to presentation. The works of the Young British Artists, at the very end of the century, have suggested a way out of both the dematerialization process inaugurated by some of their elders and the very weighty materialism of the New Sculpture of the eighties with its “truth to material” motto, by adopting a lighter approach, unencumbered with history, which does away with the unbearable heaviness of things.https://journals.openedition.org/lisa/870 |
| spellingShingle | Charlotte Gould L’objet à l’œuvre dans l’art des British Young Artists Revue LISA |
| title | L’objet à l’œuvre dans l’art des British Young Artists |
| title_full | L’objet à l’œuvre dans l’art des British Young Artists |
| title_fullStr | L’objet à l’œuvre dans l’art des British Young Artists |
| title_full_unstemmed | L’objet à l’œuvre dans l’art des British Young Artists |
| title_short | L’objet à l’œuvre dans l’art des British Young Artists |
| title_sort | l objet a l oeuvre dans l art des british young artists |
| url | https://journals.openedition.org/lisa/870 |
| work_keys_str_mv | AT charlottegould lobjetalœuvredanslartdesbritishyoungartists |