The Psychogeographic Fotoromanzo as an Urban Affective Mapping Practice: Notes on Ralph Rumney’s The leaning Tower of Venice

Psychogeography, a method of reality analysis incubated in the 1950s by the Situationist International, was presented early on as a methodology capable of unraveling the precise effects of the geographic environment on the psychic behavior of individuals, paving the way for a dialogue between geogra...

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Main Author: Elisa Mozzelin
Format: Article
Language:English
Published: University of Bologna 2024-12-01
Series:European Journal of Creative Practices in Cities and Landscapes
Subjects:
Online Access:https://cpcl.unibo.it/article/view/17323
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author Elisa Mozzelin
author_facet Elisa Mozzelin
author_sort Elisa Mozzelin
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description Psychogeography, a method of reality analysis incubated in the 1950s by the Situationist International, was presented early on as a methodology capable of unraveling the precise effects of the geographic environment on the psychic behavior of individuals, paving the way for a dialogue between geography and psychology. Ralph Rumney, drawing from the Situationist lesson, translates his research on the city of Venice into a narrative form, choosing the fotoromanzo as an innovative form of representation. Retaining the peculiarities of this type of narrative, Rumney aims at rendering the analysis of the city of Venice into a topographical condensate of affective mapping, drawing from the subversive potential of the psychogeographic method.
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spelling doaj-art-80ba470e60c2460b9c16e4c651e6a0782025-01-10T10:06:57ZengUniversity of BolognaEuropean Journal of Creative Practices in Cities and Landscapes2612-04962024-12-016221623010.6092/issn.2612-0496/1732315682The Psychogeographic Fotoromanzo as an Urban Affective Mapping Practice: Notes on Ralph Rumney’s The leaning Tower of VeniceElisa Mozzelin0Ca’ Foscari University of Venice, ItalyPsychogeography, a method of reality analysis incubated in the 1950s by the Situationist International, was presented early on as a methodology capable of unraveling the precise effects of the geographic environment on the psychic behavior of individuals, paving the way for a dialogue between geography and psychology. Ralph Rumney, drawing from the Situationist lesson, translates his research on the city of Venice into a narrative form, choosing the fotoromanzo as an innovative form of representation. Retaining the peculiarities of this type of narrative, Rumney aims at rendering the analysis of the city of Venice into a topographical condensate of affective mapping, drawing from the subversive potential of the psychogeographic method.https://cpcl.unibo.it/article/view/17323psychogeographyralph rumneywalking practiceurban mappingpsychogeographic dérive
spellingShingle Elisa Mozzelin
The Psychogeographic Fotoromanzo as an Urban Affective Mapping Practice: Notes on Ralph Rumney’s The leaning Tower of Venice
European Journal of Creative Practices in Cities and Landscapes
psychogeography
ralph rumney
walking practice
urban mapping
psychogeographic dérive
title The Psychogeographic Fotoromanzo as an Urban Affective Mapping Practice: Notes on Ralph Rumney’s The leaning Tower of Venice
title_full The Psychogeographic Fotoromanzo as an Urban Affective Mapping Practice: Notes on Ralph Rumney’s The leaning Tower of Venice
title_fullStr The Psychogeographic Fotoromanzo as an Urban Affective Mapping Practice: Notes on Ralph Rumney’s The leaning Tower of Venice
title_full_unstemmed The Psychogeographic Fotoromanzo as an Urban Affective Mapping Practice: Notes on Ralph Rumney’s The leaning Tower of Venice
title_short The Psychogeographic Fotoromanzo as an Urban Affective Mapping Practice: Notes on Ralph Rumney’s The leaning Tower of Venice
title_sort psychogeographic fotoromanzo as an urban affective mapping practice notes on ralph rumney s the leaning tower of venice
topic psychogeography
ralph rumney
walking practice
urban mapping
psychogeographic dérive
url https://cpcl.unibo.it/article/view/17323
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