Discursive Conflict in "Benito Cereno". Noble Savage versus Wild Man

This article departs from the classical controversy on whether Melville's auythoritative point of view in "Benito Cereno" can be discerned. Taking for granted the impossibility to ascertain Melville's position with regards to slavery, this article proposes to analyze Delano'...

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Main Author: Jesús Benito Sánchez
Format: Article
Language:English
Published: Universidad de Zaragoza 1994-12-01
Series:Miscelánea: A Journal of English and American Studies
Online Access:https://papiro.unizar.es/ojs/index.php/misc/article/view/11713
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author Jesús Benito Sánchez
author_facet Jesús Benito Sánchez
author_sort Jesús Benito Sánchez
collection DOAJ
description This article departs from the classical controversy on whether Melville's auythoritative point of view in "Benito Cereno" can be discerned. Taking for granted the impossibility to ascertain Melville's position with regards to slavery, this article proposes to analyze Delano's rendering of the story. This analysis uncovers the discursive conflict generated by the existence of two contradictory images of the black man —as Noble Savage and as Wild Man— deployed by Delano.
format Article
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institution Kabale University
issn 1137-6368
2386-4834
language English
publishDate 1994-12-01
publisher Universidad de Zaragoza
record_format Article
series Miscelánea: A Journal of English and American Studies
spelling doaj-art-80ab1c9061bc4f4eae600312e7916e5f2025-08-20T03:31:16ZengUniversidad de ZaragozaMiscelánea: A Journal of English and American Studies1137-63682386-48341994-12-011510.26754/ojs_misc/mj.199411713Discursive Conflict in "Benito Cereno". Noble Savage versus Wild Man Jesús Benito Sánchez0Universidad de Castilla-La Mancha This article departs from the classical controversy on whether Melville's auythoritative point of view in "Benito Cereno" can be discerned. Taking for granted the impossibility to ascertain Melville's position with regards to slavery, this article proposes to analyze Delano's rendering of the story. This analysis uncovers the discursive conflict generated by the existence of two contradictory images of the black man —as Noble Savage and as Wild Man— deployed by Delano. https://papiro.unizar.es/ojs/index.php/misc/article/view/11713
spellingShingle Jesús Benito Sánchez
Discursive Conflict in "Benito Cereno". Noble Savage versus Wild Man
Miscelánea: A Journal of English and American Studies
title Discursive Conflict in "Benito Cereno". Noble Savage versus Wild Man
title_full Discursive Conflict in "Benito Cereno". Noble Savage versus Wild Man
title_fullStr Discursive Conflict in "Benito Cereno". Noble Savage versus Wild Man
title_full_unstemmed Discursive Conflict in "Benito Cereno". Noble Savage versus Wild Man
title_short Discursive Conflict in "Benito Cereno". Noble Savage versus Wild Man
title_sort discursive conflict in benito cereno noble savage versus wild man
url https://papiro.unizar.es/ojs/index.php/misc/article/view/11713
work_keys_str_mv AT jesusbenitosanchez discursiveconflictinbenitocerenonoblesavageversuswildman