Discursive Conflict in "Benito Cereno". Noble Savage versus Wild Man

This article departs from the classical controversy on whether Melville's auythoritative point of view in "Benito Cereno" can be discerned. Taking for granted the impossibility to ascertain Melville's position with regards to slavery, this article proposes to analyze Delano'...

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Bibliographic Details
Main Author: Jesús Benito Sánchez
Format: Article
Language:English
Published: Universidad de Zaragoza 1994-12-01
Series:Miscelánea: A Journal of English and American Studies
Online Access:https://papiro.unizar.es/ojs/index.php/misc/article/view/11713
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Summary:This article departs from the classical controversy on whether Melville's auythoritative point of view in "Benito Cereno" can be discerned. Taking for granted the impossibility to ascertain Melville's position with regards to slavery, this article proposes to analyze Delano's rendering of the story. This analysis uncovers the discursive conflict generated by the existence of two contradictory images of the black man —as Noble Savage and as Wild Man— deployed by Delano.
ISSN:1137-6368
2386-4834