The Transduction of the Archive as an Embodied Space
Following the mass digitization of archives and the growing production of born‑digital material, we explore how interactive and immersive technologies can enable new modes of access to these collections in situated contexts. Drawing on Gilbert Simondon’s concept of transduction and Mark Johnson’s...
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| Format: | Article |
| Language: | English |
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Fondazione Università Ca’ Foscari
2025-06-01
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| Series: | magazén |
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| Online Access: | http://doi.org/10.30687/mag/2724-3923/2025/01/003 |
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| _version_ | 1849709066832576512 |
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| author | Alliata, Giacomo Kenderdine, Sarah |
| author_facet | Alliata, Giacomo Kenderdine, Sarah |
| author_sort | Alliata, Giacomo |
| collection | DOAJ |
| description |
Following the mass digitization of archives and the growing production
of born‑digital material, we explore how interactive and immersive technologies can
enable new modes of access to these collections in situated contexts. Drawing on Gilbert
Simondon’s concept of transduction and Mark Johnson’s philosophy of embodiment,
we examine the trichotomy participant‑system‑spectators, framing the archive as an
embodied space where interpretative paths emerge through interaction and embodied
cognition. This interdisciplinary discussion is grounded in two interactive installations
we have developed at the Laboratory for Experimental Museology (EPFL), which serve
as case studies to illustrate our arguments.
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| format | Article |
| id | doaj-art-8073c5e558db476594facad814044f0c |
| institution | DOAJ |
| issn | 2724-3923 |
| language | English |
| publishDate | 2025-06-01 |
| publisher | Fondazione Università Ca’ Foscari |
| record_format | Article |
| series | magazén |
| spelling | doaj-art-8073c5e558db476594facad814044f0c2025-08-20T03:15:26ZengFondazione Università Ca’ Foscarimagazén2724-39232025-06-016110.30687/mag/2724-3923/2025/01/003journal_article_24549The Transduction of the Archive as an Embodied SpaceAlliata, Giacomo0Kenderdine, Sarah1EPFLLaboratory for Experimental Museology, EPFL Following the mass digitization of archives and the growing production of born‑digital material, we explore how interactive and immersive technologies can enable new modes of access to these collections in situated contexts. Drawing on Gilbert Simondon’s concept of transduction and Mark Johnson’s philosophy of embodiment, we examine the trichotomy participant‑system‑spectators, framing the archive as an embodied space where interpretative paths emerge through interaction and embodied cognition. This interdisciplinary discussion is grounded in two interactive installations we have developed at the Laboratory for Experimental Museology (EPFL), which serve as case studies to illustrate our arguments. http://doi.org/10.30687/mag/2724-3923/2025/01/003Access. Digital Archives. Embodiment. Interaction. Transduction |
| spellingShingle | Alliata, Giacomo Kenderdine, Sarah The Transduction of the Archive as an Embodied Space magazén Access. Digital Archives. Embodiment. Interaction. Transduction |
| title | The Transduction of the Archive as an Embodied Space |
| title_full | The Transduction of the Archive as an Embodied Space |
| title_fullStr | The Transduction of the Archive as an Embodied Space |
| title_full_unstemmed | The Transduction of the Archive as an Embodied Space |
| title_short | The Transduction of the Archive as an Embodied Space |
| title_sort | transduction of the archive as an embodied space |
| topic | Access. Digital Archives. Embodiment. Interaction. Transduction |
| url | http://doi.org/10.30687/mag/2724-3923/2025/01/003 |
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