Patrimoine(s) et Conservation-Restauration(s)

Evolution and expansion of a cultural heritage concept applied to fields such as contemporary art and, sciences, technology, ethnography...over the last twenty five years, raises questions about its relationship with conservation, the bases of which were defined in the sixty's, then essentially...

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Main Author: Roland May
Format: Article
Language:English
Published: Association CeROArt 2009-10-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:https://journals.openedition.org/ceroart/1235
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author Roland May
author_facet Roland May
author_sort Roland May
collection DOAJ
description Evolution and expansion of a cultural heritage concept applied to fields such as contemporary art and, sciences, technology, ethnography...over the last twenty five years, raises questions about its relationship with conservation, the bases of which were defined in the sixty's, then essentially focused on artwork and aestheticism.With respect to other values and stakes, messages, functions, use, isn't it the opportunity to assess the suitability of these notions and, to some extent, their integration in a process which preserves the narrow and compulsory link between conservation and the durability of cultural heritage with respect to both ancient and new values?
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institution Kabale University
issn 1784-5092
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publishDate 2009-10-01
publisher Association CeROArt
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series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
spelling doaj-art-80643de98370445787ec41aa2cb421ab2025-01-30T14:13:34ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922009-10-01410.4000/ceroart.1235Patrimoine(s) et Conservation-Restauration(s)Roland MayEvolution and expansion of a cultural heritage concept applied to fields such as contemporary art and, sciences, technology, ethnography...over the last twenty five years, raises questions about its relationship with conservation, the bases of which were defined in the sixty's, then essentially focused on artwork and aestheticism.With respect to other values and stakes, messages, functions, use, isn't it the opportunity to assess the suitability of these notions and, to some extent, their integration in a process which preserves the narrow and compulsory link between conservation and the durability of cultural heritage with respect to both ancient and new values?https://journals.openedition.org/ceroart/1235concepttheoryheritagemuseum
spellingShingle Roland May
Patrimoine(s) et Conservation-Restauration(s)
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
concept
theory
heritage
museum
title Patrimoine(s) et Conservation-Restauration(s)
title_full Patrimoine(s) et Conservation-Restauration(s)
title_fullStr Patrimoine(s) et Conservation-Restauration(s)
title_full_unstemmed Patrimoine(s) et Conservation-Restauration(s)
title_short Patrimoine(s) et Conservation-Restauration(s)
title_sort patrimoine s et conservation restauration s
topic concept
theory
heritage
museum
url https://journals.openedition.org/ceroart/1235
work_keys_str_mv AT rolandmay patrimoinesetconservationrestaurations