Ridicule, deconstruction, reflection, and identity: Christian elements and thematic expression in Feng Xiaogang’s films
Abstract Due to cultural policies, film censorship, and the history of foreign imperialism in China, Christianity is perceived to carry a Western ideology and is rarely depicted in mainstream Chinese films and dramas. Director Feng Xiaogang is a unique example of a filmmaker who has incorporated Chr...
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| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Springer Nature
2025-07-01
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| Series: | Humanities & Social Sciences Communications |
| Online Access: | https://doi.org/10.1057/s41599-025-05438-y |
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