Festivities as Spaces of Identity Construction

Jongo is a cultural practice specific to the cities located in the Paraíba do Sul river valley, in the south-eastern region of Brazil. It is a form of expression rooted in the knowledge, rituals and beliefs of the African populations of Bantu language and which incorporates drum percussion, collecti...

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Main Author: Luciana de Araujo Aguiar
Format: Article
Language:English
Published: H-Net: Humanities & Social Sciences Online 2019-05-01
Series:Journal of Festive Studies
Subjects:
Online Access:https://journals.h-net.org/jfs/article/view/33
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author Luciana de Araujo Aguiar
author_facet Luciana de Araujo Aguiar
author_sort Luciana de Araujo Aguiar
collection DOAJ
description Jongo is a cultural practice specific to the cities located in the Paraíba do Sul river valley, in the south-eastern region of Brazil. It is a form of expression rooted in the knowledge, rituals and beliefs of the African populations of Bantu language and which incorporates drum percussion, collective dance, and magic-religious, poetic elements. The roda, literally meaning “round,” is the performance space of the jongo. The quest for an “authentic jongo dance” at the time of the rodas often leads to disputes among various groups claiming the greater “purity” of their group, or the greater “truth” of their personal history. Indeed, during the rodas, the quest for the “afro authenticity” of the jongo becomes the ground for identity construction and for the recognition and legitimization of African origins. This paper focuses on the jongo rodas as a festive event that exhibits the African ancestral past of Brazilian blacks as well as the signs and symbols of a Brazilian black identity.
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publisher H-Net: Humanities & Social Sciences Online
record_format Article
series Journal of Festive Studies
spelling doaj-art-7e5bdd889c2a4f729362b2199ea7e5cc2025-08-20T02:32:19ZengH-Net: Humanities & Social Sciences OnlineJournal of Festive Studies2641-99392019-05-011112814810.33823/jfs.2019.1.1.3350Festivities as Spaces of Identity ConstructionLuciana de Araujo AguiarJongo is a cultural practice specific to the cities located in the Paraíba do Sul river valley, in the south-eastern region of Brazil. It is a form of expression rooted in the knowledge, rituals and beliefs of the African populations of Bantu language and which incorporates drum percussion, collective dance, and magic-religious, poetic elements. The roda, literally meaning “round,” is the performance space of the jongo. The quest for an “authentic jongo dance” at the time of the rodas often leads to disputes among various groups claiming the greater “purity” of their group, or the greater “truth” of their personal history. Indeed, during the rodas, the quest for the “afro authenticity” of the jongo becomes the ground for identity construction and for the recognition and legitimization of African origins. This paper focuses on the jongo rodas as a festive event that exhibits the African ancestral past of Brazilian blacks as well as the signs and symbols of a Brazilian black identity.https://journals.h-net.org/jfs/article/view/33jongo rodasfestivityauthenticityidentity constructionbrazilafrica
spellingShingle Luciana de Araujo Aguiar
Festivities as Spaces of Identity Construction
Journal of Festive Studies
jongo rodas
festivity
authenticity
identity construction
brazil
africa
title Festivities as Spaces of Identity Construction
title_full Festivities as Spaces of Identity Construction
title_fullStr Festivities as Spaces of Identity Construction
title_full_unstemmed Festivities as Spaces of Identity Construction
title_short Festivities as Spaces of Identity Construction
title_sort festivities as spaces of identity construction
topic jongo rodas
festivity
authenticity
identity construction
brazil
africa
url https://journals.h-net.org/jfs/article/view/33
work_keys_str_mv AT lucianadearaujoaguiar festivitiesasspacesofidentityconstruction