Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet

This study investigates the modes of intertextuality at play in the writing of Ramabai Espinet’s novel The Swinging Bridge. It proposes to approach the intertextuality between this work and A Casual Brutality and The Worlds Within Her as refunctioning of the issues dealt with by Neil Bissoondath. It...

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Main Author: Rodolphe Solbiac
Format: Article
Language:English
Published: Presses universitaires de Rennes 2013-11-01
Series:Revue LISA
Subjects:
Online Access:https://journals.openedition.org/lisa/6340
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author Rodolphe Solbiac
author_facet Rodolphe Solbiac
author_sort Rodolphe Solbiac
collection DOAJ
description This study investigates the modes of intertextuality at play in the writing of Ramabai Espinet’s novel The Swinging Bridge. It proposes to approach the intertextuality between this work and A Casual Brutality and The Worlds Within Her as refunctioning of the issues dealt with by Neil Bissoondath. It argues that Espinet reworks texts of the history of Trinidad and Tobago as well as Bissoondath’s fiction texts. It demonstrates that The Swinging Bridge constitutes a literary polysystem that responds to Bissoondath’s dystopian fiction and reconstruction of history which promotes cultural hybridity and diasporic belongings as alternatives to cultural conflict and dislocation.
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spelling doaj-art-7e566888191846fcb73b46bde04fc7202025-01-06T09:03:19ZengPresses universitaires de RennesRevue LISA1762-61532013-11-0110.4000/lisa.6340Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai EspinetRodolphe SolbiacThis study investigates the modes of intertextuality at play in the writing of Ramabai Espinet’s novel The Swinging Bridge. It proposes to approach the intertextuality between this work and A Casual Brutality and The Worlds Within Her as refunctioning of the issues dealt with by Neil Bissoondath. It argues that Espinet reworks texts of the history of Trinidad and Tobago as well as Bissoondath’s fiction texts. It demonstrates that The Swinging Bridge constitutes a literary polysystem that responds to Bissoondath’s dystopian fiction and reconstruction of history which promotes cultural hybridity and diasporic belongings as alternatives to cultural conflict and dislocation.https://journals.openedition.org/lisa/6340intertextualityfeminismdiasporaHistorymemorydystopia
spellingShingle Rodolphe Solbiac
Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet
Revue LISA
intertextuality
feminism
diaspora
History
memory
dystopia
title Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet
title_full Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet
title_fullStr Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet
title_full_unstemmed Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet
title_short Intertextualité et forme dans le roman caribéen-canadien : de l’écriture dystopique de Neil Bissoondath au roman polysystémique de Ramabai Espinet
title_sort intertextualite et forme dans le roman caribeen canadien de l ecriture dystopique de neil bissoondath au roman polysystemique de ramabai espinet
topic intertextuality
feminism
diaspora
History
memory
dystopia
url https://journals.openedition.org/lisa/6340
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