The Theme of “Hopelessness” Among the Diwan School Poets: The Example of Abbas al-Akkad

The formation of a new literary movement—as a result of the collapse of the Ottoman Empire and the nationalist movement that dominated the world—gave rise to many new tendencies and schools of thought. Poetry, the most important tool influencing the Arab masses appeared as nationalist and political...

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Main Author: Rümeysa Zeynep Uylaş
Format: Article
Language:Arabic
Published: Istanbul University Press 2022-04-01
Series:Şarkiyat Mecmuası
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Online Access:https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/7F1B0B168919431685C28551E104D4F2
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author Rümeysa Zeynep Uylaş
author_facet Rümeysa Zeynep Uylaş
author_sort Rümeysa Zeynep Uylaş
collection DOAJ
description The formation of a new literary movement—as a result of the collapse of the Ottoman Empire and the nationalist movement that dominated the world—gave rise to many new tendencies and schools of thought. Poetry, the most important tool influencing the Arab masses appeared as nationalist and political poetry,as a reflection of modern society, and as anti-colonial poetry born of the French and British occupations. Especially after the 19th century, the literati and intellectuals in Egypt and Syria carefully followed the pioneered literary, political, and ideological movements. For example, there was the Neoclassical School formed by Baroudi (1839–1904), Ahmed Shawqy (1868–1932), and Hafez Ibrahim (1871–1932). It focused on the revival of Arabic poetry and considered ancient poetry as an inspiration for its structure and subjects. Subsequently, the poets of the Diwan School, consisting of Abbas al-Akkad (1889–1964), Ibrahim Abdel Rahman Shokry (1886–1958), and Abdal-Qadir al-Mazny (1890–1949), performed a series of innovations in Arabic poetry and literary criticism, and led the modern literary movements that followed, such as Mahjar and Apollo. This movement, which focuses on modern poetry in Arabic literature, includes a completely different perspective from ancient poetry. Specifically, the value of poetry is in the sincerity of the poet’s feelings (sidku’ş-şi’r). The theme of “hopelessness,” which came to the forefront because of the social and political dilemmas and uncertainties that dominated the period and the influence of Western Romantic poets, is clearly seen in their poems. Thus, we examine this particular theme by using the example of Abbas al-Akkad, the strongest representative of this school.
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spelling doaj-art-7d8b773668024a128f86530cf592dd122025-08-20T03:52:52ZaraIstanbul University PressŞarkiyat Mecmuası2717-69162022-04-014023525210.26650/jos.984132123456The Theme of “Hopelessness” Among the Diwan School Poets: The Example of Abbas al-AkkadRümeysa Zeynep Uylaş0https://orcid.org/0000-0002-4833-4072Marmara Üniversitesi, İstanbul, TürkiyeThe formation of a new literary movement—as a result of the collapse of the Ottoman Empire and the nationalist movement that dominated the world—gave rise to many new tendencies and schools of thought. Poetry, the most important tool influencing the Arab masses appeared as nationalist and political poetry,as a reflection of modern society, and as anti-colonial poetry born of the French and British occupations. Especially after the 19th century, the literati and intellectuals in Egypt and Syria carefully followed the pioneered literary, political, and ideological movements. For example, there was the Neoclassical School formed by Baroudi (1839–1904), Ahmed Shawqy (1868–1932), and Hafez Ibrahim (1871–1932). It focused on the revival of Arabic poetry and considered ancient poetry as an inspiration for its structure and subjects. Subsequently, the poets of the Diwan School, consisting of Abbas al-Akkad (1889–1964), Ibrahim Abdel Rahman Shokry (1886–1958), and Abdal-Qadir al-Mazny (1890–1949), performed a series of innovations in Arabic poetry and literary criticism, and led the modern literary movements that followed, such as Mahjar and Apollo. This movement, which focuses on modern poetry in Arabic literature, includes a completely different perspective from ancient poetry. Specifically, the value of poetry is in the sincerity of the poet’s feelings (sidku’ş-şi’r). The theme of “hopelessness,” which came to the forefront because of the social and political dilemmas and uncertainties that dominated the period and the influence of Western Romantic poets, is clearly seen in their poems. Thus, we examine this particular theme by using the example of Abbas al-Akkad, the strongest representative of this school.https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/7F1B0B168919431685C28551E104D4F2modern arabic poetrydiwan schoolabbas el-akkadthe theme of “hopelessness” in poetry
spellingShingle Rümeysa Zeynep Uylaş
The Theme of “Hopelessness” Among the Diwan School Poets: The Example of Abbas al-Akkad
Şarkiyat Mecmuası
modern arabic poetry
diwan school
abbas el-akkad
the theme of “hopelessness” in poetry
title The Theme of “Hopelessness” Among the Diwan School Poets: The Example of Abbas al-Akkad
title_full The Theme of “Hopelessness” Among the Diwan School Poets: The Example of Abbas al-Akkad
title_fullStr The Theme of “Hopelessness” Among the Diwan School Poets: The Example of Abbas al-Akkad
title_full_unstemmed The Theme of “Hopelessness” Among the Diwan School Poets: The Example of Abbas al-Akkad
title_short The Theme of “Hopelessness” Among the Diwan School Poets: The Example of Abbas al-Akkad
title_sort theme of hopelessness among the diwan school poets the example of abbas al akkad
topic modern arabic poetry
diwan school
abbas el-akkad
the theme of “hopelessness” in poetry
url https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/7F1B0B168919431685C28551E104D4F2
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