From A Room with a View to the Fascist Spectacle: Bloomsbury in Italy
Many members of Bloomsbury travelled to Italy between the 1890s and the 1930s. This paper analyses Roger Fry’s, E. M. Forster’s and Virginia Woolf’s reception of Italy as a way of tracing significant changes in the social function of visual art that marked the beginnings of mass tourism and, at the...
Saved in:
Main Author: | Elena Gualtieri |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses Universitaires de la Méditerranée
2005-12-01
|
Series: | Cahiers Victoriens et Edouardiens |
Online Access: | https://journals.openedition.org/cve/13613 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
The Leopard: How a Post-Fascist Party Rose to Power in Italy
by: Giovanni Dosi, et al.
Published: (2022-10-01) -
La réception de Foscolo dans l’Italie fasciste
by: Stéphanie Lanfranchi
Published: (2005-01-01) -
Catholicisme et nationalisme dans l’Italie fasciste : la réponse clérico-fasciste à la sécularisation d’une nation catholique (1919-1929)
by: Matteo BARAGLI
Published: (2012-09-01) -
Insights Into the Legacy of Bloomsbury
by: Christine Reynier
Published: (2005-12-01) -
Bloomsbury or the Art of Disinterestedness
by: Catherine Bernard
Published: (2005-12-01)