Entre air et terre : les éléments dans Aurora Leigh d’Elizabeth Barrett Browning

Surprisingly enough, despite the fact that it is strongly associated with femininity, Elizabeth Barrett Browning has no use for water as an element in her narrative of Aurora Leigh’s progress as a poet in the eponymous poem. Fire is only used in its usual purifying function, for the male protagonist...

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Main Author: Marianne Camus
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2010-06-01
Series:Cahiers Victoriens et Edouardiens
Online Access:https://journals.openedition.org/cve/2825
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author Marianne Camus
author_facet Marianne Camus
author_sort Marianne Camus
collection DOAJ
description Surprisingly enough, despite the fact that it is strongly associated with femininity, Elizabeth Barrett Browning has no use for water as an element in her narrative of Aurora Leigh’s progress as a poet in the eponymous poem. Fire is only used in its usual purifying function, for the male protagonist. But she does construct a complex architecture from the elements of earth and air. She starts with the generally accepted duality of earth, both nurturing and a symbol of death. She multiplies the associations with air : angels and squirrels, wind and mountains, to cite only a few. She then examines and redefines the relationships between these two elements in life and in poetry and finally reaches a mystical union anchored in the body.
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publisher Presses Universitaires de la Méditerranée
record_format Article
series Cahiers Victoriens et Edouardiens
spelling doaj-art-7ccf9920421742c9a0afa6e35b1168ba2025-01-30T10:22:00ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492010-06-0171374810.4000/cve.2825Entre air et terre : les éléments dans Aurora Leigh d’Elizabeth Barrett BrowningMarianne CamusSurprisingly enough, despite the fact that it is strongly associated with femininity, Elizabeth Barrett Browning has no use for water as an element in her narrative of Aurora Leigh’s progress as a poet in the eponymous poem. Fire is only used in its usual purifying function, for the male protagonist. But she does construct a complex architecture from the elements of earth and air. She starts with the generally accepted duality of earth, both nurturing and a symbol of death. She multiplies the associations with air : angels and squirrels, wind and mountains, to cite only a few. She then examines and redefines the relationships between these two elements in life and in poetry and finally reaches a mystical union anchored in the body.https://journals.openedition.org/cve/2825
spellingShingle Marianne Camus
Entre air et terre : les éléments dans Aurora Leigh d’Elizabeth Barrett Browning
Cahiers Victoriens et Edouardiens
title Entre air et terre : les éléments dans Aurora Leigh d’Elizabeth Barrett Browning
title_full Entre air et terre : les éléments dans Aurora Leigh d’Elizabeth Barrett Browning
title_fullStr Entre air et terre : les éléments dans Aurora Leigh d’Elizabeth Barrett Browning
title_full_unstemmed Entre air et terre : les éléments dans Aurora Leigh d’Elizabeth Barrett Browning
title_short Entre air et terre : les éléments dans Aurora Leigh d’Elizabeth Barrett Browning
title_sort entre air et terre les elements dans aurora leigh d elizabeth barrett browning
url https://journals.openedition.org/cve/2825
work_keys_str_mv AT mariannecamus entreairetterreleselementsdansauroraleighdelizabethbarrettbrowning