La iconografía de los grabados de anteportada en los almanaques

The typical components of the almanacs and the representation of the Piscators that were widely published during the eighteenth century included literary contents from Torres Villarroel’s contributions onwards. These publications were usually embellished by a full-page engraving placed such as half-...

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Main Author: Rocío Cárdenas Luna
Format: Article
Language:English
Published: Universidad de Cádiz 2020-12-01
Series:Cuadernos de Ilustración y Romanticismo
Subjects:
Online Access:https://revistas.uca.es/index.php/cir/article/view/5850
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author Rocío Cárdenas Luna
author_facet Rocío Cárdenas Luna
author_sort Rocío Cárdenas Luna
collection DOAJ
description The typical components of the almanacs and the representation of the Piscators that were widely published during the eighteenth century included literary contents from Torres Villarroel’s contributions onwards. These publications were usually embellished by a full-page engraving placed such as half-title of the edition. This engraving used to illustrate the image of Piscator in an certainly imaginative way (at least from the last years of the seventeenth century onwards). Thence, the image was not considered as the formal authorial representation. The evolution of these engravings, which were copies shared amongst different authors and overlap other models used in France and in Italy, is considered through the assessment of the combination of its representations and its variations as the authorial mask.
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publisher Universidad de Cádiz
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series Cuadernos de Ilustración y Romanticismo
spelling doaj-art-7c906c36f1b74361a3a74789814ee7082025-08-20T03:06:54ZengUniversidad de CádizCuadernos de Ilustración y Romanticismo2173-06872020-12-012633336410.25267/Cuad_Ilus_romant.2020.i26.15La iconografía de los grabados de anteportada en los almanaquesRocío Cárdenas Luna0Universidad de CórdobaThe typical components of the almanacs and the representation of the Piscators that were widely published during the eighteenth century included literary contents from Torres Villarroel’s contributions onwards. These publications were usually embellished by a full-page engraving placed such as half-title of the edition. This engraving used to illustrate the image of Piscator in an certainly imaginative way (at least from the last years of the seventeenth century onwards). Thence, the image was not considered as the formal authorial representation. The evolution of these engravings, which were copies shared amongst different authors and overlap other models used in France and in Italy, is considered through the assessment of the combination of its representations and its variations as the authorial mask.https://revistas.uca.es/index.php/cir/article/view/5850iconographyportraitauthoralmanacforecastsfront pageliterature
spellingShingle Rocío Cárdenas Luna
La iconografía de los grabados de anteportada en los almanaques
Cuadernos de Ilustración y Romanticismo
iconography
portrait
author
almanac
forecasts
front page
literature
title La iconografía de los grabados de anteportada en los almanaques
title_full La iconografía de los grabados de anteportada en los almanaques
title_fullStr La iconografía de los grabados de anteportada en los almanaques
title_full_unstemmed La iconografía de los grabados de anteportada en los almanaques
title_short La iconografía de los grabados de anteportada en los almanaques
title_sort la iconografia de los grabados de anteportada en los almanaques
topic iconography
portrait
author
almanac
forecasts
front page
literature
url https://revistas.uca.es/index.php/cir/article/view/5850
work_keys_str_mv AT rociocardenasluna laiconografiadelosgrabadosdeanteportadaenlosalmanaques