The use of Language in Ìdààmú Páàdì Mínkáílù: A Religio-Satiric Play

Literary satire is generally a social pre-occupation; an attempt to contribute to the advancement of a society in all the ramifications of the word. Tis is done by humorously pointing out individual or collective non-conformation to accepted norms and ethos. The task however demands subtlety, espec...

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Main Authors: Olatunde Adeleye Adeyemo, Olufadekemi Adagbada
Format: Article
Language:English
Published: LibraryPress@UF 2021-12-01
Series:Yoruba Studies Review
Online Access:https://ojs.test.flvc.org/ysr/article/view/130115
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author Olatunde Adeleye Adeyemo
Olufadekemi Adagbada
author_facet Olatunde Adeleye Adeyemo
Olufadekemi Adagbada
author_sort Olatunde Adeleye Adeyemo
collection DOAJ
description Literary satire is generally a social pre-occupation; an attempt to contribute to the advancement of a society in all the ramifications of the word. Tis is done by humorously pointing out individual or collective non-conformation to accepted norms and ethos. The task however demands subtlety, especially in the use of language by the satirist who must bring his or her ideas to the forte. Tis essay submits that in Ìdààmú Páàdì Mínkáílù, Adébáyò ̣ Faleti draws out from the reader a mirthless laughter in the confusion of a religious priest and elder statesman, who must not divulge the confession of a repentant member of his congregation, but who, at the same time, must ensure the obedience to, and the maintenance of the social order in his society. The satirist’s bias and the probable reasons for it are highlighted in the essay.
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issn 2473-4713
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series Yoruba Studies Review
spelling doaj-art-7c5bd5424ffe490fbd8f71c5c742ac962025-02-07T13:44:50ZengLibraryPress@UFYoruba Studies Review2473-47132578-692X2021-12-0151.2The use of Language in Ìdààmú Páàdì Mínkáílù: A Religio-Satiric Play Olatunde Adeleye Adeyemo 0Olufadekemi Adagbada 1Olabisi Onabanjo UniversityOlabisi Onabanjo University Literary satire is generally a social pre-occupation; an attempt to contribute to the advancement of a society in all the ramifications of the word. Tis is done by humorously pointing out individual or collective non-conformation to accepted norms and ethos. The task however demands subtlety, especially in the use of language by the satirist who must bring his or her ideas to the forte. Tis essay submits that in Ìdààmú Páàdì Mínkáílù, Adébáyò ̣ Faleti draws out from the reader a mirthless laughter in the confusion of a religious priest and elder statesman, who must not divulge the confession of a repentant member of his congregation, but who, at the same time, must ensure the obedience to, and the maintenance of the social order in his society. The satirist’s bias and the probable reasons for it are highlighted in the essay. https://ojs.test.flvc.org/ysr/article/view/130115
spellingShingle Olatunde Adeleye Adeyemo
Olufadekemi Adagbada
The use of Language in Ìdààmú Páàdì Mínkáílù: A Religio-Satiric Play
Yoruba Studies Review
title The use of Language in Ìdààmú Páàdì Mínkáílù: A Religio-Satiric Play
title_full The use of Language in Ìdààmú Páàdì Mínkáílù: A Religio-Satiric Play
title_fullStr The use of Language in Ìdààmú Páàdì Mínkáílù: A Religio-Satiric Play
title_full_unstemmed The use of Language in Ìdààmú Páàdì Mínkáílù: A Religio-Satiric Play
title_short The use of Language in Ìdààmú Páàdì Mínkáílù: A Religio-Satiric Play
title_sort use of language in idaamu paadi minkailu a religio satiric play
url https://ojs.test.flvc.org/ysr/article/view/130115
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