Hillsong’s Swansong? On the Decline of Hillsong Within the Contemporary Congregational Song Genre
Contemporary Congregational Songs (CCS) are used for gathered musical worship in churches of diverse traditions and denominations all over the world. Christian Copyright Licensing International (CCLI) has measured the use of CCS in licensed churches in various global regions for over 30 years. This...
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| Format: | Article |
| Language: | English |
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MDPI AG
2025-03-01
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| Series: | Religions |
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| Online Access: | https://www.mdpi.com/2077-1444/16/4/427 |
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| Summary: | Contemporary Congregational Songs (CCS) are used for gathered musical worship in churches of diverse traditions and denominations all over the world. Christian Copyright Licensing International (CCLI) has measured the use of CCS in licensed churches in various global regions for over 30 years. This article examines the trajectory of songs as they enter and exit the biannual CCLI top songs lists over a 10 year period from 2014–2023. Hillsong has been one of the most prominent producers of CCS, with dominant appearances in the CCLI top song lists for the last three decades. However, they have not released any new CCS since 2021. This article explores what has happened over the past few years to the void left by such a dominant producer of CCS, and what that might mean for the genre and its future. |
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| ISSN: | 2077-1444 |