Transmedial collaborative productions in Secret Path and Airplane Mode
The term “transmedia” has gained popularity in the entertainment industry and has been widely used to designate the use of several media platforms that converge to tell a story. As a result, transmedia changes the modes of consumption and production of contemporary cultural products. On one hand, tr...
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| Format: | Article |
| Language: | English |
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Universidade Federal de Santa Catarina
2018-06-01
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| Series: | Ilha do Desterro |
| Online Access: | https://periodicos.ufsc.br/index.php/desterro/article/view/53850 |
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| _version_ | 1850277452747636736 |
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| author | Camila Augusta Pires de Figueiredo |
| author_facet | Camila Augusta Pires de Figueiredo |
| author_sort | Camila Augusta Pires de Figueiredo |
| collection | DOAJ |
| description | The term “transmedia” has gained popularity in the entertainment industry and has been widely used to designate the use of several media platforms that converge to tell a story. As a result, transmedia changes the modes of consumption and production of contemporary cultural products. On one hand, transmedial projects attract consumers that are no longer just readers or players (or users, spectators, etc.), but are a combination of them. On the other hand, these projects often require “superproducers” or “superartists”, with knowledge and skills in various media, or a well-planned collaboration between producers or artists. In this text, we will examine the collaborative productions in the Canadian Secret Path (2016) and in the Brazilian Airplane Mode (2017) transmedial projects. |
| format | Article |
| id | doaj-art-7b95a0af0d854e79ba996f8aba414879 |
| institution | OA Journals |
| issn | 0101-4846 2175-8026 |
| language | English |
| publishDate | 2018-06-01 |
| publisher | Universidade Federal de Santa Catarina |
| record_format | Article |
| series | Ilha do Desterro |
| spelling | doaj-art-7b95a0af0d854e79ba996f8aba4148792025-08-20T01:49:53ZengUniversidade Federal de Santa CatarinaIlha do Desterro0101-48462175-80262018-06-0171210.5007/2175-8026.2018v71n2p18929091Transmedial collaborative productions in Secret Path and Airplane ModeCamila Augusta Pires de Figueiredo0Editora UFMGThe term “transmedia” has gained popularity in the entertainment industry and has been widely used to designate the use of several media platforms that converge to tell a story. As a result, transmedia changes the modes of consumption and production of contemporary cultural products. On one hand, transmedial projects attract consumers that are no longer just readers or players (or users, spectators, etc.), but are a combination of them. On the other hand, these projects often require “superproducers” or “superartists”, with knowledge and skills in various media, or a well-planned collaboration between producers or artists. In this text, we will examine the collaborative productions in the Canadian Secret Path (2016) and in the Brazilian Airplane Mode (2017) transmedial projects.https://periodicos.ufsc.br/index.php/desterro/article/view/53850 |
| spellingShingle | Camila Augusta Pires de Figueiredo Transmedial collaborative productions in Secret Path and Airplane Mode Ilha do Desterro |
| title | Transmedial collaborative productions in Secret Path and Airplane Mode |
| title_full | Transmedial collaborative productions in Secret Path and Airplane Mode |
| title_fullStr | Transmedial collaborative productions in Secret Path and Airplane Mode |
| title_full_unstemmed | Transmedial collaborative productions in Secret Path and Airplane Mode |
| title_short | Transmedial collaborative productions in Secret Path and Airplane Mode |
| title_sort | transmedial collaborative productions in secret path and airplane mode |
| url | https://periodicos.ufsc.br/index.php/desterro/article/view/53850 |
| work_keys_str_mv | AT camilaaugustapiresdefigueiredo transmedialcollaborativeproductionsinsecretpathandairplanemode |