Sergei Eisenstein’s System Thinking: Influences and Inspirations

In 1932, Sergei Eisenstein started work on his key theoretical book, Grundproblem (later Method), which would present his theoretical system. In the very first notes, he defines a goal that seems to be similar to Aleksandr Bogdanov’s tektology: to find a basic structure – an isomorph – for a work of...

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Main Author: Bulgakowa Oksana
Format: Article
Language:English
Published: Sciendo 2021-12-01
Series:Cultural Science
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Online Access:https://doi.org/10.2478/csj-2021-0007
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author Bulgakowa Oksana
author_facet Bulgakowa Oksana
author_sort Bulgakowa Oksana
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description In 1932, Sergei Eisenstein started work on his key theoretical book, Grundproblem (later Method), which would present his theoretical system. In the very first notes, he defines a goal that seems to be similar to Aleksandr Bogdanov’s tektology: to find a basic structure – an isomorph – for a work of art but also for the growth of plants and bones, for human society and the organization of bees and ants. Eisenstein’s system thinking was inspired and defined by his basic hypotheses: the structure of an artwork is perceived as a form that equates to multi-layered consciousness in the transition from the pre-logical, sensual to logical thought that the recipient experiences during the ecstatic perception of an artwork. Essential principles of modernist art – fragmentation, montage, visualization and rhythmic recurrence, the object of Eisenstein’s analysis, – determined the new form of Eisenstein’s writing and thinking and revolutionized the theory and the form of its rendition. Eisenstein rejected linear logic and sought forms for a hypertext that in his eyes were closer to associative, spherical and labyrinthine thought structures that to date have found expression only in modernist art experiments.
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spelling doaj-art-7b905424df0744e68323b4311b982e902025-02-10T13:25:36ZengSciendoCultural Science1836-04162021-12-011318510010.2478/csj-2021-0007Sergei Eisenstein’s System Thinking: Influences and InspirationsBulgakowa Oksana0Johannes Gutenberg University, MainzGermanyIn 1932, Sergei Eisenstein started work on his key theoretical book, Grundproblem (later Method), which would present his theoretical system. In the very first notes, he defines a goal that seems to be similar to Aleksandr Bogdanov’s tektology: to find a basic structure – an isomorph – for a work of art but also for the growth of plants and bones, for human society and the organization of bees and ants. Eisenstein’s system thinking was inspired and defined by his basic hypotheses: the structure of an artwork is perceived as a form that equates to multi-layered consciousness in the transition from the pre-logical, sensual to logical thought that the recipient experiences during the ecstatic perception of an artwork. Essential principles of modernist art – fragmentation, montage, visualization and rhythmic recurrence, the object of Eisenstein’s analysis, – determined the new form of Eisenstein’s writing and thinking and revolutionized the theory and the form of its rendition. Eisenstein rejected linear logic and sought forms for a hypertext that in his eyes were closer to associative, spherical and labyrinthine thought structures that to date have found expression only in modernist art experiments.https://doi.org/10.2478/csj-2021-0007systemmontagethe spherical bookdialecticspsychoanalysisepistemologyfilm
spellingShingle Bulgakowa Oksana
Sergei Eisenstein’s System Thinking: Influences and Inspirations
Cultural Science
system
montage
the spherical book
dialectics
psychoanalysis
epistemology
film
title Sergei Eisenstein’s System Thinking: Influences and Inspirations
title_full Sergei Eisenstein’s System Thinking: Influences and Inspirations
title_fullStr Sergei Eisenstein’s System Thinking: Influences and Inspirations
title_full_unstemmed Sergei Eisenstein’s System Thinking: Influences and Inspirations
title_short Sergei Eisenstein’s System Thinking: Influences and Inspirations
title_sort sergei eisenstein s system thinking influences and inspirations
topic system
montage
the spherical book
dialectics
psychoanalysis
epistemology
film
url https://doi.org/10.2478/csj-2021-0007
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