L’« ornement » en abyme ou la sémantique du détail
This paper considers the « mise en abyme » of what is traditionally called "ornaments" on a certain number of Attic vases: these are vegetal, animal, stellar motifs and even human figures, represented micrographically on luxury objects furnishing scenes of a varied nature. The discreet pre...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2020-12-01
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| Series: | Images Re-Vues |
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| Online Access: | https://journals.openedition.org/imagesrevues/8778 |
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| author | Nikolina Kei |
| author_facet | Nikolina Kei |
| author_sort | Nikolina Kei |
| collection | DOAJ |
| description | This paper considers the « mise en abyme » of what is traditionally called "ornaments" on a certain number of Attic vases: these are vegetal, animal, stellar motifs and even human figures, represented micrographically on luxury objects furnishing scenes of a varied nature. The discreet presence of these motifs, far from being superfluous, is dynamic : they operate as both ornaments and polyvalent signs. As ornaments, they convey the idea of variegation, brilliance, charm and movement, values which make vibrate not only the surface of the object they adorn but also the entire surface of the vase. As signs, they refer to the whole image, whether in the form of echo, repetition, intensification, extension, clarification or contrast. Aesthetic enjoyment thus goes hand in hand with intellectual pleasure, while the long-depreciated categories of "detail" and "ornament" are being proved to be particularly significant. |
| format | Article |
| id | doaj-art-7b3d509b6c3843df91d1480a5bb6904e |
| institution | OA Journals |
| issn | 1778-3801 |
| language | fra |
| publishDate | 2020-12-01 |
| publisher | Centre d´Histoire et Théorie des Arts |
| record_format | Article |
| series | Images Re-Vues |
| spelling | doaj-art-7b3d509b6c3843df91d1480a5bb6904e2025-08-20T02:34:04ZfraCentre d´Histoire et Théorie des ArtsImages Re-Vues1778-38012020-12-01910.4000/imagesrevues.8778L’« ornement » en abyme ou la sémantique du détailNikolina KeiThis paper considers the « mise en abyme » of what is traditionally called "ornaments" on a certain number of Attic vases: these are vegetal, animal, stellar motifs and even human figures, represented micrographically on luxury objects furnishing scenes of a varied nature. The discreet presence of these motifs, far from being superfluous, is dynamic : they operate as both ornaments and polyvalent signs. As ornaments, they convey the idea of variegation, brilliance, charm and movement, values which make vibrate not only the surface of the object they adorn but also the entire surface of the vase. As signs, they refer to the whole image, whether in the form of echo, repetition, intensification, extension, clarification or contrast. Aesthetic enjoyment thus goes hand in hand with intellectual pleasure, while the long-depreciated categories of "detail" and "ornament" are being proved to be particularly significant.https://journals.openedition.org/imagesrevues/8778Attic vasesornamentskosmoscharispoikiliadaidalon |
| spellingShingle | Nikolina Kei L’« ornement » en abyme ou la sémantique du détail Images Re-Vues Attic vases ornaments kosmos charis poikilia daidalon |
| title | L’« ornement » en abyme ou la sémantique du détail |
| title_full | L’« ornement » en abyme ou la sémantique du détail |
| title_fullStr | L’« ornement » en abyme ou la sémantique du détail |
| title_full_unstemmed | L’« ornement » en abyme ou la sémantique du détail |
| title_short | L’« ornement » en abyme ou la sémantique du détail |
| title_sort | l ornement en abyme ou la semantique du detail |
| topic | Attic vases ornaments kosmos charis poikilia daidalon |
| url | https://journals.openedition.org/imagesrevues/8778 |
| work_keys_str_mv | AT nikolinakei lornementenabymeoulasemantiquedudetail |