The Birds: Afterimages; After Hitchcock (2nd Attempt)
By using digital manipulation as the primary method of experimentation and transformation of the very fabric of The Bird's original images, rather than just its narrative structure and sequence, this piece extends beyond the level of critique and representation to consider the composition of th...
Saved in:
| Main Author: | Miguel Mesquita Duarte |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
UWE
2025-05-01
|
| Series: | Screenworks |
| Subjects: | |
| Online Access: | https://www.screenworks.org.uk/archive/volume-15-1/the-birds-afterimages-after-hitchcock |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
The stratification aspect of the formation of the image of the enemy: ascending and descending vectors of dehumanization in the social structure
by: D. A. Lushnikov
Published: (2023-09-01) -
ENEMY IMAGE DECONSTRUCTION MECHANISMS
by: D. A. Lushnikov
Published: (2022-08-01) -
Understanding glyph characteristics on the legibility for native and non-native speakers in virtual reality
by: Huidan Zhang, et al.
Published: (2025-08-01) -
Letterform modifying techniques in English inclusive fonts
by: Klimovskaia Daria I., et al.
Published: (2025-06-01) -
Comparative Analysis of Evolving Wayfinding Behaviours in the Digital Era: A Case Study of Dhaka
by: Fouzia Masud Mouri, et al.
Published: (2025-07-01)