Sztuka hejtu. Powtórzenia, parafrazy i „cytatowość” w filmie Sala samobójców. Hejter Jana Komasy

The aim of this article is to present stylistic measures dominating in a movie directed by John Komasa, The Hater, whose screenplay was written by Mateusz Pacewicz. Komasa’s film is an interesting example of how the selection of linguistic means and the way they function within one work can c...

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Main Author: Małgorzata Miławska-Ratajczak
Format: Article
Language:English
Published: Adam Mickiewicz University Press 2023-01-01
Series:Images
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Online Access:https://pressto.amu.edu.pl/index.php/i/article/view/36878
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author Małgorzata Miławska-Ratajczak
author_facet Małgorzata Miławska-Ratajczak
author_sort Małgorzata Miławska-Ratajczak
collection DOAJ
description The aim of this article is to present stylistic measures dominating in a movie directed by John Komasa, The Hater, whose screenplay was written by Mateusz Pacewicz. Komasa’s film is an interesting example of how the selection of linguistic means and the way they function within one work can create an illusory, film version of “the art of hating” – the main impression of all the manipulations used by the film’s protagonist. Forms of manipulation, aggression, hate speech or Internet hate in The Hater’s verbal layer are particularly clearly heard thanks to repetitions, paraphrases and a very specific stylistic manoeuvre, which can be called “quotations.”
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language English
publishDate 2023-01-01
publisher Adam Mickiewicz University Press
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series Images
spelling doaj-art-7ac8a25f2ddb4fda916b483d8253c1ee2025-08-20T03:09:29ZengAdam Mickiewicz University PressImages1731-450X2720-040X2023-01-01324110.14746/i.2022.41.18Sztuka hejtu. Powtórzenia, parafrazy i „cytatowość” w filmie Sala samobójców. Hejter Jana KomasyMałgorzata Miławska-Ratajczak0https://orcid.org/0000-0002-0349-5243Uniwersytet im. Adama Mickiewicza w Poznaniu The aim of this article is to present stylistic measures dominating in a movie directed by John Komasa, The Hater, whose screenplay was written by Mateusz Pacewicz. Komasa’s film is an interesting example of how the selection of linguistic means and the way they function within one work can create an illusory, film version of “the art of hating” – the main impression of all the manipulations used by the film’s protagonist. Forms of manipulation, aggression, hate speech or Internet hate in The Hater’s verbal layer are particularly clearly heard thanks to repetitions, paraphrases and a very specific stylistic manoeuvre, which can be called “quotations.” https://pressto.amu.edu.pl/index.php/i/article/view/36878film dialoguelinguistic stylizationhate speechlingual aggressionverbal aggressionThe Hater
spellingShingle Małgorzata Miławska-Ratajczak
Sztuka hejtu. Powtórzenia, parafrazy i „cytatowość” w filmie Sala samobójców. Hejter Jana Komasy
Images
film dialogue
linguistic stylization
hate speech
lingual aggression
verbal aggression
The Hater
title Sztuka hejtu. Powtórzenia, parafrazy i „cytatowość” w filmie Sala samobójców. Hejter Jana Komasy
title_full Sztuka hejtu. Powtórzenia, parafrazy i „cytatowość” w filmie Sala samobójców. Hejter Jana Komasy
title_fullStr Sztuka hejtu. Powtórzenia, parafrazy i „cytatowość” w filmie Sala samobójców. Hejter Jana Komasy
title_full_unstemmed Sztuka hejtu. Powtórzenia, parafrazy i „cytatowość” w filmie Sala samobójców. Hejter Jana Komasy
title_short Sztuka hejtu. Powtórzenia, parafrazy i „cytatowość” w filmie Sala samobójców. Hejter Jana Komasy
title_sort sztuka hejtu powtorzenia parafrazy i cytatowosc w filmie sala samobojcow hejter jana komasy
topic film dialogue
linguistic stylization
hate speech
lingual aggression
verbal aggression
The Hater
url https://pressto.amu.edu.pl/index.php/i/article/view/36878
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