The Conversational Turn in Shakespeare

The OED distinguishes two principal senses of the word “conversation”: “the action of living or having one’s being in a place or among persons”, and “interchange of words, thoughts”. The first (indicating a kind of habitus, frequently with moral inflection) presumes more about a conversant than the...

Full description

Saved in:
Bibliographic Details
Main Author: John Gillies
Format: Article
Language:English
Published: Institut du Monde Anglophone 2018-09-01
Series:Etudes Epistémè
Subjects:
Online Access:https://journals.openedition.org/episteme/2336
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1849736019208830976
author John Gillies
author_facet John Gillies
author_sort John Gillies
collection DOAJ
description The OED distinguishes two principal senses of the word “conversation”: “the action of living or having one’s being in a place or among persons”, and “interchange of words, thoughts”. The first (indicating a kind of habitus, frequently with moral inflection) presumes more about a conversant than the second. Hence in Pericles Gower speaks of the hero as “the good in conversation”. While there is some overlap, there is a significant gap in meaning and a kind of cultural struggle waged between the two. In the early modern period the first sense (deriving from Augustine and the Theatrum Mundi) might be thought of as dominant and the second emergent. Both were the focus of theoretical elaboration: the first principally by puritans (resulting in a register of “Christian conversation”), the second in two principle ways, by Steffano Guazzo and Montaigne. Guazzo’s Civile Conversation (tr.1581, 1586) begins by conceding its profanity in Augustinian terms, but then proceeds to redefine the word in a secular, pragmatic and essentially modern sense. Montaigne’s understanding of conversation is informed by Guazzo’s but adds a sophisticated understanding of conversation as dialectic. What I propose is to sketch these various meanings of the word “conversation”, speak to the “turn” from one end of its spectrum of meanings to the other, and then identify this spectrum of meanings in Shakespeare. That Shakespeare understands conversation in its pragmatic sense should come as no surprise, but that he should systematically understand it in the sense of a moral habitus while also exploring it in the sense of dialectic should surprise.
format Article
id doaj-art-79971074b2bb4fb4b0397db92dacf922
institution DOAJ
issn 1634-0450
language English
publishDate 2018-09-01
publisher Institut du Monde Anglophone
record_format Article
series Etudes Epistémè
spelling doaj-art-79971074b2bb4fb4b0397db92dacf9222025-08-20T03:07:23ZengInstitut du Monde AnglophoneEtudes Epistémè1634-04502018-09-013310.4000/episteme.2336The Conversational Turn in ShakespeareJohn GilliesThe OED distinguishes two principal senses of the word “conversation”: “the action of living or having one’s being in a place or among persons”, and “interchange of words, thoughts”. The first (indicating a kind of habitus, frequently with moral inflection) presumes more about a conversant than the second. Hence in Pericles Gower speaks of the hero as “the good in conversation”. While there is some overlap, there is a significant gap in meaning and a kind of cultural struggle waged between the two. In the early modern period the first sense (deriving from Augustine and the Theatrum Mundi) might be thought of as dominant and the second emergent. Both were the focus of theoretical elaboration: the first principally by puritans (resulting in a register of “Christian conversation”), the second in two principle ways, by Steffano Guazzo and Montaigne. Guazzo’s Civile Conversation (tr.1581, 1586) begins by conceding its profanity in Augustinian terms, but then proceeds to redefine the word in a secular, pragmatic and essentially modern sense. Montaigne’s understanding of conversation is informed by Guazzo’s but adds a sophisticated understanding of conversation as dialectic. What I propose is to sketch these various meanings of the word “conversation”, speak to the “turn” from one end of its spectrum of meanings to the other, and then identify this spectrum of meanings in Shakespeare. That Shakespeare understands conversation in its pragmatic sense should come as no surprise, but that he should systematically understand it in the sense of a moral habitus while also exploring it in the sense of dialectic should surprise.https://journals.openedition.org/episteme/2336William ShakespeareconversationChristianholysensus communis
spellingShingle John Gillies
The Conversational Turn in Shakespeare
Etudes Epistémè
William Shakespeare
conversation
Christian
holy
sensus communis
title The Conversational Turn in Shakespeare
title_full The Conversational Turn in Shakespeare
title_fullStr The Conversational Turn in Shakespeare
title_full_unstemmed The Conversational Turn in Shakespeare
title_short The Conversational Turn in Shakespeare
title_sort conversational turn in shakespeare
topic William Shakespeare
conversation
Christian
holy
sensus communis
url https://journals.openedition.org/episteme/2336
work_keys_str_mv AT johngillies theconversationalturninshakespeare
AT johngillies conversationalturninshakespeare