My Father's narrative of survival: His story told through Cambodian music

This ethnographic interview with my father fills the scholarly gap on the aesthetics of Cambodian survivors in the diaspora. Understanding the everyday, mundane aspects of pleng samay, Khmer popular music from the 1960s, is a step toward de-pathologizing Cambodian aesthetic cultural practices. This...

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Main Author: Sophea Seng
Format: Article
Language:English
Published: Elsevier 2025-06-01
Series:SSM - Mental Health
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Online Access:http://www.sciencedirect.com/science/article/pii/S2666560325000489
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author Sophea Seng
author_facet Sophea Seng
author_sort Sophea Seng
collection DOAJ
description This ethnographic interview with my father fills the scholarly gap on the aesthetics of Cambodian survivors in the diaspora. Understanding the everyday, mundane aspects of pleng samay, Khmer popular music from the 1960s, is a step toward de-pathologizing Cambodian aesthetic cultural practices. This work proposes a politicized dimension of processing trauma through musical memory. Pleng samay is a layered nexus for postcolonial and imperial negotiations that open up spaces of reflection and therapeutic landscapes that are central to the lifeworlds of Cambodian survivors. However, these practices have been rendered inaudible within scholarly frameworks of trauma and tragedy. The Cambodian case also speaks to the importance of therapeutic approaches that deeply consider survivors’ politicized cultural practices and interrogate the logics of colonialism, war, and imperial violence.
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spelling doaj-art-785cc0e1461d4dba9cd289769fe522372025-08-20T02:33:51ZengElsevierSSM - Mental Health2666-56032025-06-01710043610.1016/j.ssmmh.2025.100436My Father's narrative of survival: His story told through Cambodian musicSophea Seng0Asian & Asian American Studies, California State University, Long Beach, 1250 Bellflower Blvd, Long Beach, CA, 90840, USAThis ethnographic interview with my father fills the scholarly gap on the aesthetics of Cambodian survivors in the diaspora. Understanding the everyday, mundane aspects of pleng samay, Khmer popular music from the 1960s, is a step toward de-pathologizing Cambodian aesthetic cultural practices. This work proposes a politicized dimension of processing trauma through musical memory. Pleng samay is a layered nexus for postcolonial and imperial negotiations that open up spaces of reflection and therapeutic landscapes that are central to the lifeworlds of Cambodian survivors. However, these practices have been rendered inaudible within scholarly frameworks of trauma and tragedy. The Cambodian case also speaks to the importance of therapeutic approaches that deeply consider survivors’ politicized cultural practices and interrogate the logics of colonialism, war, and imperial violence.http://www.sciencedirect.com/science/article/pii/S2666560325000489TraumaMemoryKhmer RougePopular musicCambodiaOral history
spellingShingle Sophea Seng
My Father's narrative of survival: His story told through Cambodian music
SSM - Mental Health
Trauma
Memory
Khmer Rouge
Popular music
Cambodia
Oral history
title My Father's narrative of survival: His story told through Cambodian music
title_full My Father's narrative of survival: His story told through Cambodian music
title_fullStr My Father's narrative of survival: His story told through Cambodian music
title_full_unstemmed My Father's narrative of survival: His story told through Cambodian music
title_short My Father's narrative of survival: His story told through Cambodian music
title_sort my father s narrative of survival his story told through cambodian music
topic Trauma
Memory
Khmer Rouge
Popular music
Cambodia
Oral history
url http://www.sciencedirect.com/science/article/pii/S2666560325000489
work_keys_str_mv AT sopheaseng myfathersnarrativeofsurvivalhisstorytoldthroughcambodianmusic