EL METADISCURSO DESCRIPTIVO EN LOS RELATOS DE THÉOPHILE GAUTIER
A painter and art critic, Théophile Gautier createsa preeminently visual aesthetics that, in his literary oeuvre, renders description a truly overwhelming presence. On this basis, the author is forced to resolve the dialectics between the antagonistic forces of narrative progress (demanded by the ne...
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| Format: | Article |
| Language: | Spanish |
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Editum, Ediciones de la Universidad de Murcia
2007-12-01
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| Series: | Anales de Filología Francesa |
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| Online Access: | https://revistas.um.es/analesff/article/view/21201 |
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| author | Pedro Pardo Jiménez |
| author_facet | Pedro Pardo Jiménez |
| author_sort | Pedro Pardo Jiménez |
| collection | DOAJ |
| description | A painter and art critic, Théophile Gautier createsa preeminently visual aesthetics that, in his literary oeuvre, renders description a truly overwhelming presence. On this basis, the author is forced to resolve the dialectics between the antagonistic forces of narrative progress (demanded by the needs of the short story) and descriptive suspension (demanded by his own expressive needs). Of the techniques Gautier employs to inscribe description into his narratives, the most original is a type of descriptive metadiscourse which, in the course of his evolution as a writer, develops from a reflection on the art of writing into a legitimation of descriptive excess. |
| format | Article |
| id | doaj-art-782ecf853e25444c80665fae5d4cf6ec |
| institution | DOAJ |
| issn | 0213-2958 1989-4678 |
| language | Spanish |
| publishDate | 2007-12-01 |
| publisher | Editum, Ediciones de la Universidad de Murcia |
| record_format | Article |
| series | Anales de Filología Francesa |
| spelling | doaj-art-782ecf853e25444c80665fae5d4cf6ec2025-08-20T02:48:13ZspaEditum, Ediciones de la Universidad de MurciaAnales de Filología Francesa0213-29581989-46782007-12-0115EL METADISCURSO DESCRIPTIVO EN LOS RELATOS DE THÉOPHILE GAUTIERPedro Pardo JiménezA painter and art critic, Théophile Gautier createsa preeminently visual aesthetics that, in his literary oeuvre, renders description a truly overwhelming presence. On this basis, the author is forced to resolve the dialectics between the antagonistic forces of narrative progress (demanded by the needs of the short story) and descriptive suspension (demanded by his own expressive needs). Of the techniques Gautier employs to inscribe description into his narratives, the most original is a type of descriptive metadiscourse which, in the course of his evolution as a writer, develops from a reflection on the art of writing into a legitimation of descriptive excess.https://revistas.um.es/analesff/article/view/21201Gautierdescriptionrécitironieprétérition |
| spellingShingle | Pedro Pardo Jiménez EL METADISCURSO DESCRIPTIVO EN LOS RELATOS DE THÉOPHILE GAUTIER Anales de Filología Francesa Gautier description récit ironie prétérition |
| title | EL METADISCURSO DESCRIPTIVO EN LOS RELATOS DE THÉOPHILE GAUTIER |
| title_full | EL METADISCURSO DESCRIPTIVO EN LOS RELATOS DE THÉOPHILE GAUTIER |
| title_fullStr | EL METADISCURSO DESCRIPTIVO EN LOS RELATOS DE THÉOPHILE GAUTIER |
| title_full_unstemmed | EL METADISCURSO DESCRIPTIVO EN LOS RELATOS DE THÉOPHILE GAUTIER |
| title_short | EL METADISCURSO DESCRIPTIVO EN LOS RELATOS DE THÉOPHILE GAUTIER |
| title_sort | el metadiscurso descriptivo en los relatos de theophile gautier |
| topic | Gautier description récit ironie prétérition |
| url | https://revistas.um.es/analesff/article/view/21201 |
| work_keys_str_mv | AT pedropardojimenez elmetadiscursodescriptivoenlosrelatosdetheophilegautier |