Uma outra representação da Rua Nova dos Mercadores, em Lisboa: a tábua do “martírio de S. Sebastião”, de Gregório Lopes

From the empirical recognition of the connection between two urban representations – the depiction of the Rua Nova dos Mercadores (New Street of Merchants), in Lisbon, belonging to the Kelmscott Manor Collection (c. 1570) and the background architecture of the Martyrdom of St. Sebastian, painted by...

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Main Author: Luísa Trindade
Format: Article
Language:deu
Published: Instituto de Estudos Medievais 2016-12-01
Series:Medievalista
Subjects:
Online Access:https://journals.openedition.org/medievalista/1180
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author Luísa Trindade
author_facet Luísa Trindade
author_sort Luísa Trindade
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description From the empirical recognition of the connection between two urban representations – the depiction of the Rua Nova dos Mercadores (New Street of Merchants), in Lisbon, belonging to the Kelmscott Manor Collection (c. 1570) and the background architecture of the Martyrdom of St. Sebastian, painted by Gregório Lopes for the Convent of Christ in Tomar (1530s) – and its subsequent conclusions, this paper revisits some of the most iconic iconographic representations of the city, the arguments that supports their identification and their importance for the knowledge of the central areas of the 16th century Lisbon, city so often described and yet so poorly imagined.
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spelling doaj-art-78006260c63f4ff0b06b026d2253bbd52025-01-30T10:52:44ZdeuInstituto de Estudos MedievaisMedievalista1646-740X2016-12-012010.4000/medievalista.1180Uma outra representação da Rua Nova dos Mercadores, em Lisboa: a tábua do “martírio de S. Sebastião”, de Gregório LopesLuísa TrindadeFrom the empirical recognition of the connection between two urban representations – the depiction of the Rua Nova dos Mercadores (New Street of Merchants), in Lisbon, belonging to the Kelmscott Manor Collection (c. 1570) and the background architecture of the Martyrdom of St. Sebastian, painted by Gregório Lopes for the Convent of Christ in Tomar (1530s) – and its subsequent conclusions, this paper revisits some of the most iconic iconographic representations of the city, the arguments that supports their identification and their importance for the knowledge of the central areas of the 16th century Lisbon, city so often described and yet so poorly imagined.https://journals.openedition.org/medievalista/1180Rua Nova dos MercadoresLisbon16th century urbanismKing Manuel IGregório Lopes
spellingShingle Luísa Trindade
Uma outra representação da Rua Nova dos Mercadores, em Lisboa: a tábua do “martírio de S. Sebastião”, de Gregório Lopes
Medievalista
Rua Nova dos Mercadores
Lisbon
16th century urbanism
King Manuel I
Gregório Lopes
title Uma outra representação da Rua Nova dos Mercadores, em Lisboa: a tábua do “martírio de S. Sebastião”, de Gregório Lopes
title_full Uma outra representação da Rua Nova dos Mercadores, em Lisboa: a tábua do “martírio de S. Sebastião”, de Gregório Lopes
title_fullStr Uma outra representação da Rua Nova dos Mercadores, em Lisboa: a tábua do “martírio de S. Sebastião”, de Gregório Lopes
title_full_unstemmed Uma outra representação da Rua Nova dos Mercadores, em Lisboa: a tábua do “martírio de S. Sebastião”, de Gregório Lopes
title_short Uma outra representação da Rua Nova dos Mercadores, em Lisboa: a tábua do “martírio de S. Sebastião”, de Gregório Lopes
title_sort uma outra representacao da rua nova dos mercadores em lisboa a tabua do martirio de s sebastiao de gregorio lopes
topic Rua Nova dos Mercadores
Lisbon
16th century urbanism
King Manuel I
Gregório Lopes
url https://journals.openedition.org/medievalista/1180
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