Searching for a Room of One’s Own: Rethinking the Iranian Diaspora in “Persepolis”, “Shahs of Sunset” and “A Girl Walks Home Alone at Night”

For diasporic communities created through violence or forcible resettlement, home transcends physical boundaries and becomes a blend of past experience and future imagination. Iranians displaced after the 1979 Revolution have imagined home through various cultural mediums, such as, television, film...

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Main Author: Emily Edwards
Format: Article
Language:English
Published: Milano University Press 2017-11-01
Series:Glocalism: Journal of Culture, Politics and Innovation
Subjects:
Online Access:https://ojs-unimi-test.4science.cloud/index.php/glocalism/article/view/21159
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author Emily Edwards
author_facet Emily Edwards
author_sort Emily Edwards
collection DOAJ
description For diasporic communities created through violence or forcible resettlement, home transcends physical boundaries and becomes a blend of past experience and future imagination. Iranians displaced after the 1979 Revolution have imagined home through various cultural mediums, such as, television, film, and literature. Three cultural texts produced by Iranian women, (Persepolis, Shahs of Sunset, and A Girl Walks Home Alone at Night), in particular, offer illuminating glimpses into the diaspora experience. I propose to engage in a close textual reading of the aforementioned works across methodological boundaries to show that despite their portrayal of varied diaspora life experiences, the diaspora paradigm reduces these experiences to a figurative return to the homeland. I argue that the diaspora paradigm, by offering a highly romanticized and homogenizing understanding of home and foreign land, flattens the diversity of identity and experience. Furthermore, the diaspora paradigm denies the role of intersection of class and gender on the lived experiences of the actual diaspora population. Through an alternative reading of these texts, I hope to challenge the prevalent paradigm through which Iranian diaspora identity is understood. I focus on autobiographical textual trends as a method of story-telling and self-formation, comparing this narrative structure to the theory of identity as ‘infinitely postponed’ in exile. I specifically highlight crucial interactions of local and global forces that shape diaspora experiences otherwise elided in the existing scholarship, complicating romantic understandings of both home and abroad.
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spelling doaj-art-77f85e40bb5c444db1ddb8cc6e3d2dd52025-08-20T02:22:40ZengMilano University PressGlocalism: Journal of Culture, Politics and Innovation2283-79492017-11-013Searching for a Room of One’s Own: Rethinking the Iranian Diaspora in “Persepolis”, “Shahs of Sunset” and “A Girl Walks Home Alone at Night”Emily Edwards0New York University For diasporic communities created through violence or forcible resettlement, home transcends physical boundaries and becomes a blend of past experience and future imagination. Iranians displaced after the 1979 Revolution have imagined home through various cultural mediums, such as, television, film, and literature. Three cultural texts produced by Iranian women, (Persepolis, Shahs of Sunset, and A Girl Walks Home Alone at Night), in particular, offer illuminating glimpses into the diaspora experience. I propose to engage in a close textual reading of the aforementioned works across methodological boundaries to show that despite their portrayal of varied diaspora life experiences, the diaspora paradigm reduces these experiences to a figurative return to the homeland. I argue that the diaspora paradigm, by offering a highly romanticized and homogenizing understanding of home and foreign land, flattens the diversity of identity and experience. Furthermore, the diaspora paradigm denies the role of intersection of class and gender on the lived experiences of the actual diaspora population. Through an alternative reading of these texts, I hope to challenge the prevalent paradigm through which Iranian diaspora identity is understood. I focus on autobiographical textual trends as a method of story-telling and self-formation, comparing this narrative structure to the theory of identity as ‘infinitely postponed’ in exile. I specifically highlight crucial interactions of local and global forces that shape diaspora experiences otherwise elided in the existing scholarship, complicating romantic understandings of both home and abroad. https://ojs-unimi-test.4science.cloud/index.php/glocalism/article/view/21159Iranian DiasporaSelfhoodMedia TextsFemale AuthorshipIdentity
spellingShingle Emily Edwards
Searching for a Room of One’s Own: Rethinking the Iranian Diaspora in “Persepolis”, “Shahs of Sunset” and “A Girl Walks Home Alone at Night”
Glocalism: Journal of Culture, Politics and Innovation
Iranian Diaspora
Selfhood
Media Texts
Female Authorship
Identity
title Searching for a Room of One’s Own: Rethinking the Iranian Diaspora in “Persepolis”, “Shahs of Sunset” and “A Girl Walks Home Alone at Night”
title_full Searching for a Room of One’s Own: Rethinking the Iranian Diaspora in “Persepolis”, “Shahs of Sunset” and “A Girl Walks Home Alone at Night”
title_fullStr Searching for a Room of One’s Own: Rethinking the Iranian Diaspora in “Persepolis”, “Shahs of Sunset” and “A Girl Walks Home Alone at Night”
title_full_unstemmed Searching for a Room of One’s Own: Rethinking the Iranian Diaspora in “Persepolis”, “Shahs of Sunset” and “A Girl Walks Home Alone at Night”
title_short Searching for a Room of One’s Own: Rethinking the Iranian Diaspora in “Persepolis”, “Shahs of Sunset” and “A Girl Walks Home Alone at Night”
title_sort searching for a room of one s own rethinking the iranian diaspora in persepolis shahs of sunset and a girl walks home alone at night
topic Iranian Diaspora
Selfhood
Media Texts
Female Authorship
Identity
url https://ojs-unimi-test.4science.cloud/index.php/glocalism/article/view/21159
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