Clashing and Hybridizing Chronotopes in Zero K

According to Bakhtin, chronotope is a device involved in structuring the plot, as an organizational center around which the sense of the text is condensed through a intersection between topology and chronology. Furthermore, spatiotemporality can also determine the genre of the literary work itself....

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Main Author: Aldo Baratta
Format: Article
Language:deu
Published: Milano University Press 2025-03-01
Series:Enthymema
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Online Access:https://riviste.unimi.it/index.php/enthymema/article/view/24810
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author Aldo Baratta
author_facet Aldo Baratta
author_sort Aldo Baratta
collection DOAJ
description According to Bakhtin, chronotope is a device involved in structuring the plot, as an organizational center around which the sense of the text is condensed through a intersection between topology and chronology. Furthermore, spatiotemporality can also determine the genre of the literary work itself. This is particularly evident in Zero K (2016) by Don DeLillo, a novel divided into two distinct sections set in two antinomic chrotonopes, one of transcendence and one of immanence. Consequently, the text is similarly divided into two different narrative genres, one related to the utopian and catastrophic novel and the other to the urban and political novel. The protagonist, Jeffrey Lockhart, is a sort of chronotopic Wandersmann who walks through both textual sections mixing the two worlds represented and the relative space-times and genres. This paper aims to investigate the chronotopic architecture of Zero K through a close reading capable of highlighting the hybridization between different spaces and times and thus between different literary genres.
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spelling doaj-art-775cfdb384b34309a093ef2d39b90c8b2025-08-20T02:48:24ZdeuMilano University PressEnthymema2037-24262025-03-013610.54103/2037-2426/24810Clashing and Hybridizing Chronotopes in Zero KAldo Baratta0https://orcid.org/0000-0002-6994-6967Sapienza University of Rome According to Bakhtin, chronotope is a device involved in structuring the plot, as an organizational center around which the sense of the text is condensed through a intersection between topology and chronology. Furthermore, spatiotemporality can also determine the genre of the literary work itself. This is particularly evident in Zero K (2016) by Don DeLillo, a novel divided into two distinct sections set in two antinomic chrotonopes, one of transcendence and one of immanence. Consequently, the text is similarly divided into two different narrative genres, one related to the utopian and catastrophic novel and the other to the urban and political novel. The protagonist, Jeffrey Lockhart, is a sort of chronotopic Wandersmann who walks through both textual sections mixing the two worlds represented and the relative space-times and genres. This paper aims to investigate the chronotopic architecture of Zero K through a close reading capable of highlighting the hybridization between different spaces and times and thus between different literary genres. https://riviste.unimi.it/index.php/enthymema/article/view/24810ChronotopeDon DeLilloZero KEnviromental DisasterLiterary Genre
spellingShingle Aldo Baratta
Clashing and Hybridizing Chronotopes in Zero K
Enthymema
Chronotope
Don DeLillo
Zero K
Enviromental Disaster
Literary Genre
title Clashing and Hybridizing Chronotopes in Zero K
title_full Clashing and Hybridizing Chronotopes in Zero K
title_fullStr Clashing and Hybridizing Chronotopes in Zero K
title_full_unstemmed Clashing and Hybridizing Chronotopes in Zero K
title_short Clashing and Hybridizing Chronotopes in Zero K
title_sort clashing and hybridizing chronotopes in zero k
topic Chronotope
Don DeLillo
Zero K
Enviromental Disaster
Literary Genre
url https://riviste.unimi.it/index.php/enthymema/article/view/24810
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