C. Le Jeune’s Dodecahorde: The Composer’s Approach to the Original Source
A 16th century composer would typically borrow a monophonic melody as cantus firmus for their new composition. As a rule, no notable changes were made and the borrowed material would remain, at least within the work itself, a “solid melody”. For his polyphonic psalm collection Dodecachorde...
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| Format: | Article |
| Language: | English |
| Published: |
Gnesin Russian Academy of Music
2022-01-01
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| Series: | Современные проблемы музыкознания |
| Online Access: | https://gnesinsjournal.ru/index.php/CM/article/view/8 |
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