Haptic Aesthetics as the Possibility of Haptic Epistemology

The denotative and theoretical indeterminacy make the sense of touch an ambiguous concept to work with. While materiality and relationality, traditionally assigned in philosophical discourses and acknowledged through scientific research, are considered as the inherent dimensions of touch, the paper...

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Main Author: Maša Tomšič
Format: Article
Language:ces
Published: University of Presov, Faculty of Arts 2025-07-01
Series:ESPES
Subjects:
Online Access:https://espes.ff.unipo.sk/index.php/ESPES/article/view/377
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author Maša Tomšič
author_facet Maša Tomšič
author_sort Maša Tomšič
collection DOAJ
description The denotative and theoretical indeterminacy make the sense of touch an ambiguous concept to work with. While materiality and relationality, traditionally assigned in philosophical discourses and acknowledged through scientific research, are considered as the inherent dimensions of touch, the paper additionally proposes ambiguity as one of its integral traits. The notion of ambiguity, which encapsulates the tension between contrasting notions in both, the conceptualizations of touch as well as the touch-derived phenomenological experiences, is suggested as epistemologically generative, and a vital condition for sensory knowing, especially in aesthetics. This represents the basis for discussing the significance of a non-discursive haptic epistemology in outlining haptic aesthetics and aesthetic experience, which are marked by the necessary openness and inconclusiveness, required for the particular epistemic potential of art.
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spelling doaj-art-7537e5a53fc94232b7b1a52b24cffb412025-08-20T02:52:30ZcesUniversity of Presov, Faculty of ArtsESPES1339-11192025-07-01141288Haptic Aesthetics as the Possibility of Haptic EpistemologyMaša Tomšič0Faculty of Sciences, University of LisbonThe denotative and theoretical indeterminacy make the sense of touch an ambiguous concept to work with. While materiality and relationality, traditionally assigned in philosophical discourses and acknowledged through scientific research, are considered as the inherent dimensions of touch, the paper additionally proposes ambiguity as one of its integral traits. The notion of ambiguity, which encapsulates the tension between contrasting notions in both, the conceptualizations of touch as well as the touch-derived phenomenological experiences, is suggested as epistemologically generative, and a vital condition for sensory knowing, especially in aesthetics. This represents the basis for discussing the significance of a non-discursive haptic epistemology in outlining haptic aesthetics and aesthetic experience, which are marked by the necessary openness and inconclusiveness, required for the particular epistemic potential of art.https://espes.ff.unipo.sk/index.php/ESPES/article/view/377touchhaptic aestheticshaptic epistemologymaterialismalterity
spellingShingle Maša Tomšič
Haptic Aesthetics as the Possibility of Haptic Epistemology
ESPES
touch
haptic aesthetics
haptic epistemology
materialism
alterity
title Haptic Aesthetics as the Possibility of Haptic Epistemology
title_full Haptic Aesthetics as the Possibility of Haptic Epistemology
title_fullStr Haptic Aesthetics as the Possibility of Haptic Epistemology
title_full_unstemmed Haptic Aesthetics as the Possibility of Haptic Epistemology
title_short Haptic Aesthetics as the Possibility of Haptic Epistemology
title_sort haptic aesthetics as the possibility of haptic epistemology
topic touch
haptic aesthetics
haptic epistemology
materialism
alterity
url https://espes.ff.unipo.sk/index.php/ESPES/article/view/377
work_keys_str_mv AT masatomsic hapticaestheticsasthepossibilityofhapticepistemology