Jewish Popular Music in Galicia: Karol Rathaus’ Recollections of Chune Wolfsthal

Eminent Polish composer Karol Rathaus (1895–1954) left behind an essay dedicated to his uncle Chune Wolfsthal (1851–1924). In this text, Rathaus recalls his childhood and adolescent years in (Austria-Hungary’s crown land of ) Galicia. His memories of Wolfsthal, a famous klezmer and operetta composer...

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Main Author: Guzy-Pasiak Jolanta
Format: Article
Language:English
Published: Sciendo 2023-12-01
Series:Musicology Today
Subjects:
Online Access:https://doi.org/10.2478/muso-2023-0006
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author Guzy-Pasiak Jolanta
author_facet Guzy-Pasiak Jolanta
author_sort Guzy-Pasiak Jolanta
collection DOAJ
description Eminent Polish composer Karol Rathaus (1895–1954) left behind an essay dedicated to his uncle Chune Wolfsthal (1851–1924). In this text, Rathaus recalls his childhood and adolescent years in (Austria-Hungary’s crown land of ) Galicia. His memories of Wolfsthal, a famous klezmer and operetta composer active in the late nineteenth and early twentieth centuries, provide an opportunity to recollect the now non-existent world of Jewish amateur musicians working in Tarnopol and Lwów before World War II. Those musicians performed in synagogues, at family events and social functions, in cafés and tea gardens. Some of them, including Chune, became involved in the activity of the then emerging Jewish theatre, which was a part-vulgar, part-artistic phenomenon.
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spelling doaj-art-751bba720c5b41448a0f235ac9272bd02025-08-20T02:34:52ZengSciendoMusicology Today2353-57332023-12-01201606810.2478/muso-2023-0006Jewish Popular Music in Galicia: Karol Rathaus’ Recollections of Chune WolfsthalGuzy-Pasiak Jolanta01Institute of Art, Polish Academy of Sciences (ISPAN)Eminent Polish composer Karol Rathaus (1895–1954) left behind an essay dedicated to his uncle Chune Wolfsthal (1851–1924). In this text, Rathaus recalls his childhood and adolescent years in (Austria-Hungary’s crown land of ) Galicia. His memories of Wolfsthal, a famous klezmer and operetta composer active in the late nineteenth and early twentieth centuries, provide an opportunity to recollect the now non-existent world of Jewish amateur musicians working in Tarnopol and Lwów before World War II. Those musicians performed in synagogues, at family events and social functions, in cafés and tea gardens. Some of them, including Chune, became involved in the activity of the then emerging Jewish theatre, which was a part-vulgar, part-artistic phenomenon.https://doi.org/10.2478/muso-2023-0006karol rathauschune wolfsthalgalicialwów (lviv)tarnopol (ternopil)klezmer (klezmorim)jewish theatre
spellingShingle Guzy-Pasiak Jolanta
Jewish Popular Music in Galicia: Karol Rathaus’ Recollections of Chune Wolfsthal
Musicology Today
karol rathaus
chune wolfsthal
galicia
lwów (lviv)
tarnopol (ternopil)
klezmer (klezmorim)
jewish theatre
title Jewish Popular Music in Galicia: Karol Rathaus’ Recollections of Chune Wolfsthal
title_full Jewish Popular Music in Galicia: Karol Rathaus’ Recollections of Chune Wolfsthal
title_fullStr Jewish Popular Music in Galicia: Karol Rathaus’ Recollections of Chune Wolfsthal
title_full_unstemmed Jewish Popular Music in Galicia: Karol Rathaus’ Recollections of Chune Wolfsthal
title_short Jewish Popular Music in Galicia: Karol Rathaus’ Recollections of Chune Wolfsthal
title_sort jewish popular music in galicia karol rathaus recollections of chune wolfsthal
topic karol rathaus
chune wolfsthal
galicia
lwów (lviv)
tarnopol (ternopil)
klezmer (klezmorim)
jewish theatre
url https://doi.org/10.2478/muso-2023-0006
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