“Thinking along the margins”: the choreography of trauma in The Body Artist, by Don DeLillo
The two structuring events of The Body Artist, Rey Robles’s death and the performance of Laura Hartke, his grieving wife, are the indissociable ellipses around which Don DeLillo’s novel is built. Mourning and performing become therefore intimately linked, in a process that seems to keep the real in...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2015-11-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/4244 |
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